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ππ ππππππ πππππππ ππ πππ π ππππ β£ JULY TDM
JULY 2024 TDM: LECTISTERNIUM
Welcome to SALTBURNT, a panfandom smut/thriller game based off the film Saltburn, where characters are encouraged to indulge their deepest desires. The money never runs out and the liquor never stops pouring, so you may as well indulge from the bounty. Of course, things are rarely what they seem, and the manor itself seems to have a consciousness of its own. Throw parties, trash the house, engage in youthful merriment, but remember β dangers come out at night, and no one, no matter how rich you are, is safe from demons lurking in the shadows.
Threads can be considered game canon, provided the players agree. Players can also start fresh upon acceptance into the game. In game characters can post to the TDM directly, so all posters can use the title Β« CHARACTER NAME | CANON | NEW CHARACTER/IN GAMEΒ» in the header. There will be a spot below for new characters to link their toplevels for easy access. Alternatively, prompts on the Test Drive can be used for in game logs.
WELCOME TO SALTBURNT
It's the hangover more than the light streaming in through half drawn curtains that wakes you up, your brain rattling in your skull, your mouth dry and cottony, your stomach churning with whatever it is you drank last night. If self preservation is your strong suit, you might turn over in bed and see a few painkillers laid out for you on a silver dish, accompanied by a glass of water. If it isnβt, stay in bed and wallow β eventually a maid will be in to tear your curtains open, saying, "Breakfast is served," and scurrying out quietly, invisibly. Breakfast? Maybe itβs normal for you. Maybe it isnβt.
You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room β have you been here before? Were you drawn up to this estate in a car? Havenβt you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, who seem just as disgruntled and confused as you. No matter. "The breakfast is self-serve," they say. But not the eggs.
If you want to leave, youβll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as heβs as good at being invisible as the rest of the house staff. Of course, thereβs no reason why you canβt just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesnβt want you to leave. Those more sensitive or fragile might find they canβt make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesnβt dissipate, though β this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?
Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, itβs all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast. Itβs self serve, naturally. Just not the eggs.
"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."
You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room β have you been here before? Were you drawn up to this estate in a car? Havenβt you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, who seem just as disgruntled and confused as you. No matter. "The breakfast is self-serve," they say. But not the eggs.
If you want to leave, youβll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as heβs as good at being invisible as the rest of the house staff. Of course, thereβs no reason why you canβt just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesnβt want you to leave. Those more sensitive or fragile might find they canβt make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesnβt dissipate, though β this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?
Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, itβs all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast. Itβs self serve, naturally. Just not the eggs.
"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."
WHICH WAY TO THE BACCHANAL?
CONTENT WARNINGS: alcohol, nudity, potential for nsfw.
Itβs been a balmy, warm summer in Saltburnt, with long, amber-hued nights making the house glow from the outside in. After the last party, things have managed to keep mostly calm and largely unassuming in the intervening weeks, with the focus kept on indoor activities β a scavenger hunt, a sex club, avoiding the outside trauma of cannibalistic cakes for as long as it seems to have taken the family and house staff to settle and, tangentially, forget. However, seemingly overnight a new structure appears on the outside grounds, under block construction fixtures and with loud building going on throughout the following day and night, tirelessly worked on. By the next day, however, the structure gets revealed β a Pantheon, and quite a sizable one (see: no, not terribly historically accurate) from the outside.
Between the columns and up the stone steps, youβll find an entryway dedicated to worship on a grouping of twelve Roman gods β six male (Jupiter, Neptune, Mars, Apollo, Vulcan and Mercury) and their six female counterparts (Juno, Minerva, Venus, Diana, Vesta, and Ceres) β as depicted by several busts with small, holy fires lit before them for offerings. Notably, thereβs also a thirteenth altar, with a statue depiction of the guest of honor: one John Gaius, who has been ascended to Roman godhood for the party. Offerings have the potential of gifting little boons to those who worship, like increased luck or a small amount of foresight. Feel free to make up your own, as influenced by the gods that you sacrifice to as you like.
Beyond the foyer, the space opens up into a sizable atrium that doubles as a dining hall, full of colorful, cushioned couches made for lounging while you eat. There's an endless supply of food brought in throughout the day, ranging from a traditional three course Mediterranean meal served with honey-sweetened spiced wine, to a more modern adaptation for pickier eaters with fried chicken and Red Bulls, to more adventurous eaters with flamingo tongue and fried doormice. Pistachios are served by the bowlful, fat figs littered on every tabletop, all alongside water flavored with rose petals. Also among the feast are several artistically decorated cakes, each featuring the name of any guest with a birthday in June or July. In addition to the meal, guests are encouraged to lay out plates in honor of dead loved ones, a more time honored tradition of Roman history, although here it has the benefit of being complimented by actual roaming skeletons (courtesy of John) who give animated attempts at play eating the food left for them.
Further into the temple, there is an overlarge, public bathing room for guests to enjoy, the bath carved into rock while the ceiling stays open air, for a visual on clear blue skies or a starry sewn tapestry. Modern heating has been applied to the water to make it steam and bubble, effectively creating a giant hot tub for patrons to slip into, in whatever state of undress they're comfortable with, though nude is greatly appreciated. When in Rome, as they say. Along the back wall is a more intimate stage for small parties, bedecked in a range of instruments and a karaoke machine, for a talent show, or just entertaining a few guests. Velveteen cushions sit in a circle facing each other, for Socratic circle style speech and debates, with a random grab bag of topics to choose from, that range from who is the best NSYNC member? to what is the meaning of life, really?
There is a second story to the structure, although there are no rooms. It's a roofless veranda that looks out on the backyard of the temple, wherein a concave dirt patch has been baking in the sun, for gladiatorial fights and the people observing them.
Itβs been a balmy, warm summer in Saltburnt, with long, amber-hued nights making the house glow from the outside in. After the last party, things have managed to keep mostly calm and largely unassuming in the intervening weeks, with the focus kept on indoor activities β a scavenger hunt, a sex club, avoiding the outside trauma of cannibalistic cakes for as long as it seems to have taken the family and house staff to settle and, tangentially, forget. However, seemingly overnight a new structure appears on the outside grounds, under block construction fixtures and with loud building going on throughout the following day and night, tirelessly worked on. By the next day, however, the structure gets revealed β a Pantheon, and quite a sizable one (see: no, not terribly historically accurate) from the outside.
Between the columns and up the stone steps, youβll find an entryway dedicated to worship on a grouping of twelve Roman gods β six male (Jupiter, Neptune, Mars, Apollo, Vulcan and Mercury) and their six female counterparts (Juno, Minerva, Venus, Diana, Vesta, and Ceres) β as depicted by several busts with small, holy fires lit before them for offerings. Notably, thereβs also a thirteenth altar, with a statue depiction of the guest of honor: one John Gaius, who has been ascended to Roman godhood for the party. Offerings have the potential of gifting little boons to those who worship, like increased luck or a small amount of foresight. Feel free to make up your own, as influenced by the gods that you sacrifice to as you like.
Beyond the foyer, the space opens up into a sizable atrium that doubles as a dining hall, full of colorful, cushioned couches made for lounging while you eat. There's an endless supply of food brought in throughout the day, ranging from a traditional three course Mediterranean meal served with honey-sweetened spiced wine, to a more modern adaptation for pickier eaters with fried chicken and Red Bulls, to more adventurous eaters with flamingo tongue and fried doormice. Pistachios are served by the bowlful, fat figs littered on every tabletop, all alongside water flavored with rose petals. Also among the feast are several artistically decorated cakes, each featuring the name of any guest with a birthday in June or July. In addition to the meal, guests are encouraged to lay out plates in honor of dead loved ones, a more time honored tradition of Roman history, although here it has the benefit of being complimented by actual roaming skeletons (courtesy of John) who give animated attempts at play eating the food left for them.
Further into the temple, there is an overlarge, public bathing room for guests to enjoy, the bath carved into rock while the ceiling stays open air, for a visual on clear blue skies or a starry sewn tapestry. Modern heating has been applied to the water to make it steam and bubble, effectively creating a giant hot tub for patrons to slip into, in whatever state of undress they're comfortable with, though nude is greatly appreciated. When in Rome, as they say. Along the back wall is a more intimate stage for small parties, bedecked in a range of instruments and a karaoke machine, for a talent show, or just entertaining a few guests. Velveteen cushions sit in a circle facing each other, for Socratic circle style speech and debates, with a random grab bag of topics to choose from, that range from who is the best NSYNC member? to what is the meaning of life, really?
There is a second story to the structure, although there are no rooms. It's a roofless veranda that looks out on the backyard of the temple, wherein a concave dirt patch has been baking in the sun, for gladiatorial fights and the people observing them.
VENI, VIDI, VICI.
CONTENT WARNINGS: violence, body horror, gore, animal attacks (specifically wolf), potential body transformations.
You may have noticed in this particular party, a special leniency when it comes to costumes. Where usually semi-strict dresscodes are enforced, tonight it's more of a free for all for good reason: everyone dressed in a Roman inspired outfit (very loose is A-OK) will be seen as Roman royalty, while everyone not adhered to theme will be the royalty's slaves, servants, and workers. It's all for fun and more BDSM in practice than anything serious, but party poopers are expected to tend to their much more fun counterparts, especially once the gladiatorial fights commence. In addition, John, Furiosa, Hawk, Embry, Zoro, Matt, Nami, Chione, Hao, Koby, Alina, Tim, Alia, and Louis for their dedication to Otherworld have been gifted a single metal tag with their individual names on them, to give to collared friends of their choice for claiming purposes.
In any case, collared and claimed and laymen people are offered huge palm leaves for fanning, or grapes and pistachios and figs to hand serve their betters. Below, the gladiator fights take place all day β a somewhat humble dug out arena that's been lined with soft sand, accented in the back by an enclosed stone structure, no bigger than a single horse stall, where occasionally one can hear huffing and grunting coming from a too high to reach barred window. Anyone can take on a challenge, personal or for fun, and engage in a sparring match. The rules are simple: best of three rounds that end in a submissive pin or tapping out, wherein the loser loses their clothes after each fight. First go their clothes, then go their underwear. Fighting in the nude is an age honored tradition, of course, and we love our history.
That said, the stone building is a somewhat foreboding sight to anyone observing. As time goes on the structure begins to rattle, and as the sun starts to set, the integrity of the building becomes more and more questionable. By the time the last fight is over, a final challenge is announced to the public β a creature of great mythos, versus the entirety of the estate. From the rattling building, a 7ft Wolfman is guided out with gold, rattling chains wrapped around his impressive neck and wrists. Many onlookers applaud the spectacle, wrongly presuming it to be a play act for the party. However, the chains inevitably snap from those holding them, and the Wolfman gets set loose throughout the estate, running with supernatural speed on all fours throughout the temple and beyond.
Scared? Maybe you should be. The Wolfman is hungry, and indiscriminate with who he eats. It seems the only thing dissuading his appetite from certain people is the metal name tag some were given, like dogs recognizing their separate masters. Still, people will get attacked. A scratch or bite from the Wolfman will result in a similar transformation taking place, a necessary hunger set in your bones where vice and sin seem to infect you, become as necessary to you as breathing or sleeping. Indulge, and become more and more of a beast β abstain from all immoral acts, all wickedness for nine days, and the infection will cure itself.
If you find that too difficult, there is one other solution. Only 23 separate cuts will kill the Wolfman, who divides himself in odd ways with every penetration β less like he's being stabbed and more like he's being carved with every inflicted wound, the two halves of himself sliced apart. The 23rd and last attack completely separates the wolf from the man. It leaves a desiccated human corpse in its wake, and a full blooded wolf scampering off into the dark depths of Saltburnt proper, lost in its many rooms.
It'll probably be fine! Despite that hiccup, the Pantheon stays up for the month to encourage an ongoing celebration, the party inside ranging from feral, half-made Wolfpeople frenzy to a fragile relaxation depending on the state of the Wolfman. Thank you as always for bewaring the ides.
You may have noticed in this particular party, a special leniency when it comes to costumes. Where usually semi-strict dresscodes are enforced, tonight it's more of a free for all for good reason: everyone dressed in a Roman inspired outfit (very loose is A-OK) will be seen as Roman royalty, while everyone not adhered to theme will be the royalty's slaves, servants, and workers. It's all for fun and more BDSM in practice than anything serious, but party poopers are expected to tend to their much more fun counterparts, especially once the gladiatorial fights commence. In addition, John, Furiosa, Hawk, Embry, Zoro, Matt, Nami, Chione, Hao, Koby, Alina, Tim, Alia, and Louis for their dedication to Otherworld have been gifted a single metal tag with their individual names on them, to give to collared friends of their choice for claiming purposes.
In any case, collared and claimed and laymen people are offered huge palm leaves for fanning, or grapes and pistachios and figs to hand serve their betters. Below, the gladiator fights take place all day β a somewhat humble dug out arena that's been lined with soft sand, accented in the back by an enclosed stone structure, no bigger than a single horse stall, where occasionally one can hear huffing and grunting coming from a too high to reach barred window. Anyone can take on a challenge, personal or for fun, and engage in a sparring match. The rules are simple: best of three rounds that end in a submissive pin or tapping out, wherein the loser loses their clothes after each fight. First go their clothes, then go their underwear. Fighting in the nude is an age honored tradition, of course, and we love our history.
That said, the stone building is a somewhat foreboding sight to anyone observing. As time goes on the structure begins to rattle, and as the sun starts to set, the integrity of the building becomes more and more questionable. By the time the last fight is over, a final challenge is announced to the public β a creature of great mythos, versus the entirety of the estate. From the rattling building, a 7ft Wolfman is guided out with gold, rattling chains wrapped around his impressive neck and wrists. Many onlookers applaud the spectacle, wrongly presuming it to be a play act for the party. However, the chains inevitably snap from those holding them, and the Wolfman gets set loose throughout the estate, running with supernatural speed on all fours throughout the temple and beyond.
Scared? Maybe you should be. The Wolfman is hungry, and indiscriminate with who he eats. It seems the only thing dissuading his appetite from certain people is the metal name tag some were given, like dogs recognizing their separate masters. Still, people will get attacked. A scratch or bite from the Wolfman will result in a similar transformation taking place, a necessary hunger set in your bones where vice and sin seem to infect you, become as necessary to you as breathing or sleeping. Indulge, and become more and more of a beast β abstain from all immoral acts, all wickedness for nine days, and the infection will cure itself.
If you find that too difficult, there is one other solution. Only 23 separate cuts will kill the Wolfman, who divides himself in odd ways with every penetration β less like he's being stabbed and more like he's being carved with every inflicted wound, the two halves of himself sliced apart. The 23rd and last attack completely separates the wolf from the man. It leaves a desiccated human corpse in its wake, and a full blooded wolf scampering off into the dark depths of Saltburnt proper, lost in its many rooms.
It'll probably be fine! Despite that hiccup, the Pantheon stays up for the month to encourage an ongoing celebration, the party inside ranging from feral, half-made Wolfpeople frenzy to a fragile relaxation depending on the state of the Wolfman. Thank you as always for bewaring the ides.
DIRECTORY
no subject
Well, I'm sure we'll find something to entertain you.
[ he grins, offers out his arm to her like some old-world gentleman. ]
I'd hate to lose you in the crowd. You'd fit in among the royalty and then who would I bother?
no subject
The royalty. I think that's what they're there for anyways, to be bothered. Birds don't have ostentatious plumage just for other birds to ignore them.
[ unlike the pair of them, in the least ostentatious clothing they could both manage without inciting the wrath of the servants. unfortunately for him, he is tall and beautiful so she doesn't think the clothing does anything to make him less so. he's hard to ignore. ]
no subject
[ he walks along with her, arm tucked at his side as they melt into the throngs of people. a few people stop and gape of course, comparing him to the bust of a man named john outside but he ignores it, turning instead to his fair faced companion. ]
Surely you're royalty. Should I bend the knee now and feed you grapes, milady, or would you rather I run you a hot bath.
[ a gesture to the displays of excess and gluttony before them, his own face amused but also intrigued. ]
no subject
[ hm, doesn't sound as good as grand duchess anastasia but she supposes she can only have so much in common with an allegedly dead russian princess. her sharp eyes take in the people staring at him, less sharp ears catching not all of the words but enough to chance a guess. ]
I wouldn't mind grapes. Are you not the god they're looking for?
no subject
[ he laughs a little, taking a step away from her side and drawing her hand up to his lips to kiss her knuckles. it's a little showy, silly, but he meets her eyes with a fascination. she's quiet, this one, but demanding. consider him intrigued.
as they walk further into the throngs of people, he tugs her hand, guiding her to one of the empty, ornate chairs in the lounge of royals and their footmen and pets. it's not his most favorite display, but something about this grand duchess abigail feels like it might be safe, of all of them.
he denies the palm frond another servant tries to hand to him, and instead, he draws up a dish of plates, cheeses, little slices of bread. he wastes no time sitting on the broad armrest and plucking a grape up, offering it to her for her to take - but only by the teeth. ]
No, would I be feeding you grapes if I were the god we're celebrating? I think we must have a similar face. But you can think me a god all you like, Duchess. It's well within your right. [ a grin. ]
no subject
oh wow.
abigail lets herself be led and tucked into the luxurious chair, blue eyes wide and only a little nervous. she is just a nobody after all, a dead girl who definitely doesn't belong in this opulent lounge. but quentin walks in like they're meant to be there and she can't very well ruin his ruse.
even if she visibly swallows when he offers her the grape. she doesn't take it right away, eyes flickering between his hand holding the grape and up to his face. ]
You could be the god of charity.
no subject
[ he wasn't on his ship when he left home - he was far from it, long since land locked thanks to the whims of a powerful regent. but here, he can pretend a little while, and dream of the seat at his back instead. ]
But I can be the god of feeding grapes to pretty women. Unless you'd rather me feed them to someone else.
no subject
Should I be calling you captain?
no subject
he offers another grape when she has sufficiently finished the first, pressing this one to her bottom lip. ]
No, I'm no captain. Just a boring little sailor on a captain's boat. If anyone should be called captain this evening, it's you, Duchess.
no subject
I've never been on a boat before, I'd make a terrible captain. Someone would say, like, hard to starbird and I... would crash.
[ sweet winter snowflake, she really said starbird. ]
no subject
But it's Starboard, Duchess. Or perhaps I should start calling you starbird in honor of it. It does sound far more romantic.
[ he's cheeky, and it's hard not to notice the way she keeps setting her hair. boldly, he reaches to gently sweep it back over her shoulder, fingers grazing the scar, the skin, before he swipes another grape, as though the scar hasn't even passed his vision. and there's another grape presented, and when she takes this one - this thumb brushes her bottom lip briefly. ]
You'll eat your own hair if you're not mindful - I would hate to have to explain that to the staff when you get ill.
no subject
she would love if the ground opened her up and swallowed her whole, but instead what is happening is quentin's warm hand pushes her hair back and grazes along the super sensitive skin marred by her father's deadly devotion to his precious daughter and hannibal's broken promises.
her eyelashes flutter as her eyes go wide and startled like a skittish deer, but instead of panic leaving her pale, her cheeks fill with color. ]
You could tell them it was a bad gin and tonic.
no subject
[ he grins a little, and instead of feeding her another grape himself, he offers her the platter to take something of her choosing. the fruit, the bread, the cheeses. he swipes a little block of cheese for himself. ]
It could be a very fun story to tell.
no subject
Do you think that would work?
[ anything to get out of a party! she doesn't think she'll be allowed to irish goodbye but if she was "sick"... ]
no subject
[ he grins, wagging his eyebrows in a knowing way as he eats another piece of cheese. ]
It could be arranged.
no subject
[ he's right, she is bossy. but she looks so innocent about it, nibbling her grapes as her nose wrinkles at some of the, uh, less innocent worshiping happening across the hall. ]
no subject
Well it's really very easy. Are you ready to go, m'lady?
[ he sets the plate of fruit and cheeses aside, and unceremoniously? scoops her up into his arms if she'll allow it. ]
Trust me, won't you? [ a huff of a laugh. ]
no subject
Show me I can.
no subject
[ he likes her all pouty and demanding, and he carefully carries her back the way they came. he gets stopped, briefly, by a confused staff member and he smiles winningly. ]
Mm, she's had a little too much wine and as her servant, she's ordered me to take her back to her rooms. Though between you and me, I think it's something else she wants...
[ the staff member laughs in a sort of shared knowing before he runs off to someone else demanding their attention. quentin continues to walk with her as though the whole place is his, commanding and confident, turning his head every so often to shush her until they're past the statues and out into the cool night of the manor. ]
no subject
May I speak now?
no subject
Oh, that's not up to me. It seems you speak when you wish to regardless. [ a grin, a little tilt of his head. ]
I'm all ears, Duchess.
no subject
she scowls instead and peevishly looks away. ]
I can walk now.
no subject
[ he grins, knowingly, and carefully sets her back to her feet - but it does mean that she's standing impossibly close to him, his palms drifting to her shoulders to make sure she's steady before he releases her. ]
I think I've proven myself, Duchess. You are free of your part in the party, you're free to do whatever you please, even order me to stop carrying you. Disappointing, really.
[ teasing, of course. ]
no subject
[ her chin has to tip so far to look up at him from this close and she feels heat flood her cheeks again. she scrambles back a few steps, awkward. ]
Thank you for helping me escape.
[ and then she turns and runs away. nothing royal about it, she darts off like a startled rabbit.
bye guy! ]