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ππ ππππππ πππππππ ππ πππ π ππππ β£ JULY TDM
JULY 2024 TDM: LECTISTERNIUM
Welcome to SALTBURNT, a panfandom smut/thriller game based off the film Saltburn, where characters are encouraged to indulge their deepest desires. The money never runs out and the liquor never stops pouring, so you may as well indulge from the bounty. Of course, things are rarely what they seem, and the manor itself seems to have a consciousness of its own. Throw parties, trash the house, engage in youthful merriment, but remember β dangers come out at night, and no one, no matter how rich you are, is safe from demons lurking in the shadows.
Threads can be considered game canon, provided the players agree. Players can also start fresh upon acceptance into the game. In game characters can post to the TDM directly, so all posters can use the title Β« CHARACTER NAME | CANON | NEW CHARACTER/IN GAMEΒ» in the header. There will be a spot below for new characters to link their toplevels for easy access. Alternatively, prompts on the Test Drive can be used for in game logs.
WELCOME TO SALTBURNT
It's the hangover more than the light streaming in through half drawn curtains that wakes you up, your brain rattling in your skull, your mouth dry and cottony, your stomach churning with whatever it is you drank last night. If self preservation is your strong suit, you might turn over in bed and see a few painkillers laid out for you on a silver dish, accompanied by a glass of water. If it isnβt, stay in bed and wallow β eventually a maid will be in to tear your curtains open, saying, "Breakfast is served," and scurrying out quietly, invisibly. Breakfast? Maybe itβs normal for you. Maybe it isnβt.
You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room β have you been here before? Were you drawn up to this estate in a car? Havenβt you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, who seem just as disgruntled and confused as you. No matter. "The breakfast is self-serve," they say. But not the eggs.
If you want to leave, youβll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as heβs as good at being invisible as the rest of the house staff. Of course, thereβs no reason why you canβt just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesnβt want you to leave. Those more sensitive or fragile might find they canβt make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesnβt dissipate, though β this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?
Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, itβs all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast. Itβs self serve, naturally. Just not the eggs.
"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."
You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room β have you been here before? Were you drawn up to this estate in a car? Havenβt you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, who seem just as disgruntled and confused as you. No matter. "The breakfast is self-serve," they say. But not the eggs.
If you want to leave, youβll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as heβs as good at being invisible as the rest of the house staff. Of course, thereβs no reason why you canβt just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesnβt want you to leave. Those more sensitive or fragile might find they canβt make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesnβt dissipate, though β this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?
Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, itβs all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast. Itβs self serve, naturally. Just not the eggs.
"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."
WHICH WAY TO THE BACCHANAL?
CONTENT WARNINGS: alcohol, nudity, potential for nsfw.
Itβs been a balmy, warm summer in Saltburnt, with long, amber-hued nights making the house glow from the outside in. After the last party, things have managed to keep mostly calm and largely unassuming in the intervening weeks, with the focus kept on indoor activities β a scavenger hunt, a sex club, avoiding the outside trauma of cannibalistic cakes for as long as it seems to have taken the family and house staff to settle and, tangentially, forget. However, seemingly overnight a new structure appears on the outside grounds, under block construction fixtures and with loud building going on throughout the following day and night, tirelessly worked on. By the next day, however, the structure gets revealed β a Pantheon, and quite a sizable one (see: no, not terribly historically accurate) from the outside.
Between the columns and up the stone steps, youβll find an entryway dedicated to worship on a grouping of twelve Roman gods β six male (Jupiter, Neptune, Mars, Apollo, Vulcan and Mercury) and their six female counterparts (Juno, Minerva, Venus, Diana, Vesta, and Ceres) β as depicted by several busts with small, holy fires lit before them for offerings. Notably, thereβs also a thirteenth altar, with a statue depiction of the guest of honor: one John Gaius, who has been ascended to Roman godhood for the party. Offerings have the potential of gifting little boons to those who worship, like increased luck or a small amount of foresight. Feel free to make up your own, as influenced by the gods that you sacrifice to as you like.
Beyond the foyer, the space opens up into a sizable atrium that doubles as a dining hall, full of colorful, cushioned couches made for lounging while you eat. There's an endless supply of food brought in throughout the day, ranging from a traditional three course Mediterranean meal served with honey-sweetened spiced wine, to a more modern adaptation for pickier eaters with fried chicken and Red Bulls, to more adventurous eaters with flamingo tongue and fried doormice. Pistachios are served by the bowlful, fat figs littered on every tabletop, all alongside water flavored with rose petals. Also among the feast are several artistically decorated cakes, each featuring the name of any guest with a birthday in June or July. In addition to the meal, guests are encouraged to lay out plates in honor of dead loved ones, a more time honored tradition of Roman history, although here it has the benefit of being complimented by actual roaming skeletons (courtesy of John) who give animated attempts at play eating the food left for them.
Further into the temple, there is an overlarge, public bathing room for guests to enjoy, the bath carved into rock while the ceiling stays open air, for a visual on clear blue skies or a starry sewn tapestry. Modern heating has been applied to the water to make it steam and bubble, effectively creating a giant hot tub for patrons to slip into, in whatever state of undress they're comfortable with, though nude is greatly appreciated. When in Rome, as they say. Along the back wall is a more intimate stage for small parties, bedecked in a range of instruments and a karaoke machine, for a talent show, or just entertaining a few guests. Velveteen cushions sit in a circle facing each other, for Socratic circle style speech and debates, with a random grab bag of topics to choose from, that range from who is the best NSYNC member? to what is the meaning of life, really?
There is a second story to the structure, although there are no rooms. It's a roofless veranda that looks out on the backyard of the temple, wherein a concave dirt patch has been baking in the sun, for gladiatorial fights and the people observing them.
Itβs been a balmy, warm summer in Saltburnt, with long, amber-hued nights making the house glow from the outside in. After the last party, things have managed to keep mostly calm and largely unassuming in the intervening weeks, with the focus kept on indoor activities β a scavenger hunt, a sex club, avoiding the outside trauma of cannibalistic cakes for as long as it seems to have taken the family and house staff to settle and, tangentially, forget. However, seemingly overnight a new structure appears on the outside grounds, under block construction fixtures and with loud building going on throughout the following day and night, tirelessly worked on. By the next day, however, the structure gets revealed β a Pantheon, and quite a sizable one (see: no, not terribly historically accurate) from the outside.
Between the columns and up the stone steps, youβll find an entryway dedicated to worship on a grouping of twelve Roman gods β six male (Jupiter, Neptune, Mars, Apollo, Vulcan and Mercury) and their six female counterparts (Juno, Minerva, Venus, Diana, Vesta, and Ceres) β as depicted by several busts with small, holy fires lit before them for offerings. Notably, thereβs also a thirteenth altar, with a statue depiction of the guest of honor: one John Gaius, who has been ascended to Roman godhood for the party. Offerings have the potential of gifting little boons to those who worship, like increased luck or a small amount of foresight. Feel free to make up your own, as influenced by the gods that you sacrifice to as you like.
Beyond the foyer, the space opens up into a sizable atrium that doubles as a dining hall, full of colorful, cushioned couches made for lounging while you eat. There's an endless supply of food brought in throughout the day, ranging from a traditional three course Mediterranean meal served with honey-sweetened spiced wine, to a more modern adaptation for pickier eaters with fried chicken and Red Bulls, to more adventurous eaters with flamingo tongue and fried doormice. Pistachios are served by the bowlful, fat figs littered on every tabletop, all alongside water flavored with rose petals. Also among the feast are several artistically decorated cakes, each featuring the name of any guest with a birthday in June or July. In addition to the meal, guests are encouraged to lay out plates in honor of dead loved ones, a more time honored tradition of Roman history, although here it has the benefit of being complimented by actual roaming skeletons (courtesy of John) who give animated attempts at play eating the food left for them.
Further into the temple, there is an overlarge, public bathing room for guests to enjoy, the bath carved into rock while the ceiling stays open air, for a visual on clear blue skies or a starry sewn tapestry. Modern heating has been applied to the water to make it steam and bubble, effectively creating a giant hot tub for patrons to slip into, in whatever state of undress they're comfortable with, though nude is greatly appreciated. When in Rome, as they say. Along the back wall is a more intimate stage for small parties, bedecked in a range of instruments and a karaoke machine, for a talent show, or just entertaining a few guests. Velveteen cushions sit in a circle facing each other, for Socratic circle style speech and debates, with a random grab bag of topics to choose from, that range from who is the best NSYNC member? to what is the meaning of life, really?
There is a second story to the structure, although there are no rooms. It's a roofless veranda that looks out on the backyard of the temple, wherein a concave dirt patch has been baking in the sun, for gladiatorial fights and the people observing them.
VENI, VIDI, VICI.
CONTENT WARNINGS: violence, body horror, gore, animal attacks (specifically wolf), potential body transformations.
You may have noticed in this particular party, a special leniency when it comes to costumes. Where usually semi-strict dresscodes are enforced, tonight it's more of a free for all for good reason: everyone dressed in a Roman inspired outfit (very loose is A-OK) will be seen as Roman royalty, while everyone not adhered to theme will be the royalty's slaves, servants, and workers. It's all for fun and more BDSM in practice than anything serious, but party poopers are expected to tend to their much more fun counterparts, especially once the gladiatorial fights commence. In addition, John, Furiosa, Hawk, Embry, Zoro, Matt, Nami, Chione, Hao, Koby, Alina, Tim, Alia, and Louis for their dedication to Otherworld have been gifted a single metal tag with their individual names on them, to give to collared friends of their choice for claiming purposes.
In any case, collared and claimed and laymen people are offered huge palm leaves for fanning, or grapes and pistachios and figs to hand serve their betters. Below, the gladiator fights take place all day β a somewhat humble dug out arena that's been lined with soft sand, accented in the back by an enclosed stone structure, no bigger than a single horse stall, where occasionally one can hear huffing and grunting coming from a too high to reach barred window. Anyone can take on a challenge, personal or for fun, and engage in a sparring match. The rules are simple: best of three rounds that end in a submissive pin or tapping out, wherein the loser loses their clothes after each fight. First go their clothes, then go their underwear. Fighting in the nude is an age honored tradition, of course, and we love our history.
That said, the stone building is a somewhat foreboding sight to anyone observing. As time goes on the structure begins to rattle, and as the sun starts to set, the integrity of the building becomes more and more questionable. By the time the last fight is over, a final challenge is announced to the public β a creature of great mythos, versus the entirety of the estate. From the rattling building, a 7ft Wolfman is guided out with gold, rattling chains wrapped around his impressive neck and wrists. Many onlookers applaud the spectacle, wrongly presuming it to be a play act for the party. However, the chains inevitably snap from those holding them, and the Wolfman gets set loose throughout the estate, running with supernatural speed on all fours throughout the temple and beyond.
Scared? Maybe you should be. The Wolfman is hungry, and indiscriminate with who he eats. It seems the only thing dissuading his appetite from certain people is the metal name tag some were given, like dogs recognizing their separate masters. Still, people will get attacked. A scratch or bite from the Wolfman will result in a similar transformation taking place, a necessary hunger set in your bones where vice and sin seem to infect you, become as necessary to you as breathing or sleeping. Indulge, and become more and more of a beast β abstain from all immoral acts, all wickedness for nine days, and the infection will cure itself.
If you find that too difficult, there is one other solution. Only 23 separate cuts will kill the Wolfman, who divides himself in odd ways with every penetration β less like he's being stabbed and more like he's being carved with every inflicted wound, the two halves of himself sliced apart. The 23rd and last attack completely separates the wolf from the man. It leaves a desiccated human corpse in its wake, and a full blooded wolf scampering off into the dark depths of Saltburnt proper, lost in its many rooms.
It'll probably be fine! Despite that hiccup, the Pantheon stays up for the month to encourage an ongoing celebration, the party inside ranging from feral, half-made Wolfpeople frenzy to a fragile relaxation depending on the state of the Wolfman. Thank you as always for bewaring the ides.
You may have noticed in this particular party, a special leniency when it comes to costumes. Where usually semi-strict dresscodes are enforced, tonight it's more of a free for all for good reason: everyone dressed in a Roman inspired outfit (very loose is A-OK) will be seen as Roman royalty, while everyone not adhered to theme will be the royalty's slaves, servants, and workers. It's all for fun and more BDSM in practice than anything serious, but party poopers are expected to tend to their much more fun counterparts, especially once the gladiatorial fights commence. In addition, John, Furiosa, Hawk, Embry, Zoro, Matt, Nami, Chione, Hao, Koby, Alina, Tim, Alia, and Louis for their dedication to Otherworld have been gifted a single metal tag with their individual names on them, to give to collared friends of their choice for claiming purposes.
In any case, collared and claimed and laymen people are offered huge palm leaves for fanning, or grapes and pistachios and figs to hand serve their betters. Below, the gladiator fights take place all day β a somewhat humble dug out arena that's been lined with soft sand, accented in the back by an enclosed stone structure, no bigger than a single horse stall, where occasionally one can hear huffing and grunting coming from a too high to reach barred window. Anyone can take on a challenge, personal or for fun, and engage in a sparring match. The rules are simple: best of three rounds that end in a submissive pin or tapping out, wherein the loser loses their clothes after each fight. First go their clothes, then go their underwear. Fighting in the nude is an age honored tradition, of course, and we love our history.
That said, the stone building is a somewhat foreboding sight to anyone observing. As time goes on the structure begins to rattle, and as the sun starts to set, the integrity of the building becomes more and more questionable. By the time the last fight is over, a final challenge is announced to the public β a creature of great mythos, versus the entirety of the estate. From the rattling building, a 7ft Wolfman is guided out with gold, rattling chains wrapped around his impressive neck and wrists. Many onlookers applaud the spectacle, wrongly presuming it to be a play act for the party. However, the chains inevitably snap from those holding them, and the Wolfman gets set loose throughout the estate, running with supernatural speed on all fours throughout the temple and beyond.
Scared? Maybe you should be. The Wolfman is hungry, and indiscriminate with who he eats. It seems the only thing dissuading his appetite from certain people is the metal name tag some were given, like dogs recognizing their separate masters. Still, people will get attacked. A scratch or bite from the Wolfman will result in a similar transformation taking place, a necessary hunger set in your bones where vice and sin seem to infect you, become as necessary to you as breathing or sleeping. Indulge, and become more and more of a beast β abstain from all immoral acts, all wickedness for nine days, and the infection will cure itself.
If you find that too difficult, there is one other solution. Only 23 separate cuts will kill the Wolfman, who divides himself in odd ways with every penetration β less like he's being stabbed and more like he's being carved with every inflicted wound, the two halves of himself sliced apart. The 23rd and last attack completely separates the wolf from the man. It leaves a desiccated human corpse in its wake, and a full blooded wolf scampering off into the dark depths of Saltburnt proper, lost in its many rooms.
It'll probably be fine! Despite that hiccup, the Pantheon stays up for the month to encourage an ongoing celebration, the party inside ranging from feral, half-made Wolfpeople frenzy to a fragile relaxation depending on the state of the Wolfman. Thank you as always for bewaring the ides.
DIRECTORY
there was already nudity but cw: erections??
Thanks, [ he manages to breathe back. Quentin moves, and it's the easiest thing in the world to follow him, to let himself be pressed hard against the door. Matt's hands slide to Quentin's back as they kiss. One scrubs up, rubbing firm over planes of muscle; the other slides down to palm at Quentin's ass in turn. Just feeling him bare under his hands makes Matt's heart beat faster, makes him impatient in his shorts. It's too many clothes already. ]
tbf even more nsfw from this moment forward too
he presses his hips hard up against matt's, letting their cocks slide together, but it's only once before his hand slides between them instead, palming the hardening outline of matt through the sticky wet fabric. ]
So hospitable - I'm glad you're so pleased to have me here.
[ all talk one would make when visiting someone, playful and easy, his mouth tearing from matt's to slide wet and wanting against his jaw, to his ear, where he speaks low and heavy, all the while his hand gives the tip of matt's dick a squeeze. ]
I could have you here and hope everyone could hear as they walked by. Move your mirror so you can see the way you look rubbing up against me. See how loud I could get you.
no subject
Oh. [ Sharp, at that little squeeze. Quentin's voice in his ear makes him feel at once boneless, half-hypnotized, and also squirmingly eager. Matt gropes at his ass, kneading into the muscle there. Slides his hand down to the back of Quentin's thigh, then up again to touch and squeeze. ] How do I look rubbing up against you?
[ His hips shift for emphasis, seeking a better position against Quentin's hand. Matt finds it; he bites his lip. He knows how he feels, at least: too desperate already. Breathless. Words like wanton come to mind. ]
no subject
Mm, desperate. Like you're willing to lay yourself out right now and let me have you however I please. All pretty and soft and hard in all the right places. Well, once you get these shorts off. I want to see you in the mirror - standing in front of it so you can see just how I touch you.
[ he huffs, free hand loosening its grip and sliding up, up, up, so that his fingers tease at matt's throat, a whispering promise. ]
Well, if you say please of course - then I'll touch you all you like.
no subject
[ Quentin's hand slides up his body, all the way up to his throat. As before, in the baths, the touch sends a pulse of want through him, palpable in the stutter of Matt's breath. The stutter of his hips. He breathes out unsteadily as his lashes flutter, dip. ]
Please. [ Caressing Quentin's back. Matt's fingers skim up his spine and back down again, kneading idly into his muscles. ] Let me take my shorts off for you. And stand me in front of the mirror. I wanna see how much I like it when you touch me.
[ His mind is skittering ahead a little bit, to the lube he keeps in his nightstand drawer (and okay, also in his desk drawer, and in the bathroom). It'd be nice to just whisk the drawer open with his mind and levitate it over, but--another time, maybe. ]
no subject
the fingers along his spine help, the way fingertips work into taut muscles and he laughs, low and rich. ]
By all means - take your shorts off, little bird. Let me see you.
[ he pulls away altogether, relieving all the pressure and stepping back so that it's matt who can see quentin's backside in the mirror as he waits, watches. he waits only so long for the wet fabric to hit the ground before he circles matt, prowling as he comes up behind him, bringing their bodies flush, the hardening line of his cock pressed to the cleft of his ass, and his callused palms sliding up his front - one staying low on his stomach, the other? up, up, up to his throat. and then, the murmured praise against his ear: ]
Good.
no subject
Fortunately for him, Matt's a deft and accomplished multitasker. He spares Quentin more than one appreciative glance while he sheds his damp swim trunks--while Quentin approaches, circling as if trying to figure out where he'd like to take his first bite. Despite how closely Matt's following him, it still manages to take him by surprise when Quentin steps behind him. Presses his cock to him, earning a gasp and a squirm of his hips.
And there they both are in the mirror. Matt's gaze travels automatically to Quentin's reflection, greedy to watch him speak into his ear, to watch Quentin's hands travel up his body. To drink in the sight of his fingers at his throat. But in Matt's softer periphery, he's cognizant of himself, too: cheeks flushed, cock rosy and most of the way hard. His lips parted, as if desperate to receive something. ]
Oh, [ he sighs. He reaches behind him to caress Quentin's hip, the gesture careful rather than awkward. He shifts his weight from one foot to the other, rubbing back against Quentin's growing erection. ]
no subject
Good.
[ praise, even a little, and the hand on matt's abdomen slides, nails dragging against the skin until he reaches his hip, gripping and waiting almost like in a stalemate, against the pretty, flushed cock. his other hand finds matt's throat, giving a tempting little squeeze - nothing to cut his airflow off - just a tease. ]
Do you want me to touch you? [ he grinds his hips forward into the little roll of matt's, creating friction that does wonder to send white-hot blood to his burgeoning hard-on. ]
Because I want to touch you.
[ he kisses his ear again, and the hand on matt's hip reaches to lazily circle matt's cock, giving one stroke, before fluttering away to feel the expanse of skin over his other hip. ]
no subject
In the mirror, Matt watches Quentin's hand squeeze his throat. It's a light squeeze, but it makes him gasp. Makes his head tip back, a soft moan tumbling out at the stroke to his cock. Matt's hips shift again, as he chases the ring of Quentin's fingers, before rocking back just as eagerly to rub against the hard line of his erection.]
I want you to fuck me. [ Matt would be embarrassed at his own impatience if he weren't so fucking horny. If he hadn't been vividly imagining this since the moment Quentin started talking to him. His head turns slightly towards Quentin. The angle's not right for a kiss, but he cranes for it anyway. ] Do you want that? I'll be good for you.
no subject
[ he huffs a laugh, nipping at matt's ear, nosing in against it. all the while the hand at the man's hip pulls him back tighter against him, enough so that when he grinds his hips forward, the heat of his cock presses between the cheeks of matt's pert ass, the friction of damp skin delicious.
he kisses the corner of matt's mouth when he turns. ]
Touch yourself for me, then, while I get you ready. Or are have you already gone and bloomed for me in our time together, little bird?
[ he grins, fingers squeezing again at matt's throat, insistent, plying for an answer on a whispered voice. ]
Do you want me now, my cock stretching you open while you touch yourself, watch the way my fucking makes you fuck your own hand?
no subject
[ At that second squeeze to his throat, Matt's lashes dip abruptly. He makes a faint sound, hm, the thrum of it tangible under Quentin's hand. And Matt's fingers slip from Quentin's hip to curl obediently around his own erection, the first touch making him sigh heavily. ]
Ah--yeah. That sounds good. [ Matt sounds a little distracted--and in the mirror, he looks it. ] You can sit, if you want. On the edge of the bed. Lube's in the drawer.
[ His free hand gestures vaguely, encompassing the bed behind them and the nightstand next to it. The wardrobe with its mirror are at right angles to both, meaning Quentin could, in fact, sit with Matt in his lap and still have an excellent view of the proceedings. They could be almost anywhere on the bed and still have a good view, actually. ]
no subject
[ he teases a little, words again pressed against his ear, though his eyes linger when they catch the mirror where he can plainly see matt's hand round his own dick. and with a pleased hum he pulls away, mouth dropping to his shoulder. ]
You're doing excellently. Look incredible doing it.
[ he follows the gesture, finds what certainly looks like a bottle of lube. it looks different, where he's from, but well - he's not going to complain. and just like in his home, he spends time warming it between his palms. ]
Oh, dear, slower though - make sure you run your thumb just at the pretty little crown. Press down and imagine what it might be like if it was my mouth there - me, kneeling between your thighs. Would you like that? I'd hope so. But I can't possibly sit while you're working so hard.
[ satisfied he's warmed the lube as well as he can, he opens it and squirts some over two fingers and, with little effort, kneels behind matt. he drops a kiss to one pert globe, scraping blunt teeth over the skin, free hand nudging matt's legs apart before he slides one slick finger to the cleft of his ass, and to that soft, puckered hole, smearing it. ]
no subject
He sighs as Quentin's mouth brushes his shoulder. One more place he's thrilled and fascinated to feel Quentin's lips. His eyes follow Quentin's reflection, his own hand as he strokes himself, until Quentin offers him the small correction, and--
Pretty little crown sends a shiver down his spine. A pulse of arousal between his legs. ]
Of course, [ Matt answers, unsteady. Of course, he needs to go slower. Of course, he'd like it. His thumb caresses the head of his cock, a small whine slipping from his lips. He presses down. He imagines.
Wrapped up in following Quentin's suggestions, Matt doesn't fully realize what he's up to until he feels that kiss, the scrape of teeth. Ticklishly, his hips rock forward, pushing his erection into the loose ring of his fingers. Matt gasps. He shifts to stand with his legs wider apart at Quentin's coaxing, nudging forward to give him a bit more room behind him. The first slick touch to his hole gets another gasp from him, another abrupt shift of his hips. Matt settles back into his original position and tries to relax, to breathe steadily. All the while, he keeps toying with his cock. Rubbing at the crown of it, letting his fingers ghost over the slit. Imitating that little pinch Quentin gave him by the door. Matt's mouth falls open, soft panting breaths escaping. ]
no subject
he could sit on the bed, could just tug matt's hips back and work him open that way, but he likes being where he can watch from this angle, where he can pepper the soft curve of skin between thigh and ass with biting little kisses, sucking soft marks into the outside of his thigh, just as he presses his forefinger slowly past that perfect ring of muscle. ]
You can move, if you want to. I'll allow it - you look too enchanting when your hips move. Fuck into your hand, but only a little - and back on my hand. Help get yourself nice and ready for me, hm?
[ one arm hooks around matt's leg, palm sliding up to his inner thigh, nails gently dragging against the skin, helping stabilize him. ]
And don't hide those noises from me, little bird. I want to hear the songs you sing.
no subject
And when he feels Quentin's finger breach him, his head falls back on a gasp. ]
Quentin ... [ Matt shifts back until he feels Quentin's finger start to sink deeper into him. He rubs into the touch--and something about feeling himself rocking back onto Quentin's hand, seeking friction against sensitive nerves, makes him flush with animal want. Quentin said to fuck his own hand, but honestly, Matt's not sure he could do otherwise right now. His fingers clench into a tight ring, hips hitching forward. He groans. ]
Ohh. [ Instantly, he misses Quentin's hand. He shifts back again, desperate to find him, and sighs as he feels the welcome brush of his finger again. Matt tries to be careful as he rocks back, but the pleasure of heat-seeking, friction-chasing, is too strong an urge to resist. Blessedly, Quentin's there to stabilize him while he wriggles. ] I feel like--we're gonna get along really well.
[ His hips start to grind in little circles. Back, onto Quentin's hand, and forward, into his own fingers. ]
God, you make me feel so good. [ Sighed. ] I'm so fucking horny for you.
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[ he bites purposefully at the meat of matt's ass, fingers working him open with a diligent expertise, the first finger and then the second as the pretty man before him fucks back and forth into his hand and quentin's. it's nice, looking in the mirror and seeing that blushing cock circled by long fingers. it makes his mouth water, makes it almost disappointing that he's not on the other side, letting matt fuck into his mouth with wild abandon.
another time, definitely. since they're such good friends now, of course.
and so he scissors his fingers carefully, slowly working and stretching matt open, mouth trailing along his skin hot and wanting. disappointing, really, he didn't think to use his tongue first, but his own cock aches too much to wait, already dripping pre between his own thighs. ]
Think you can take me? Horny enough to let me have you?
[ for emphasis, he crooks his fingers against his prostate, gently massaging it once, twice. ]
Watching you in the mirror like this... I wish I could be in two places at once. Swallow you up while you bounce on my cock - wouldn't that be an experience, little bird.
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Yes, [ he pants. Yes, it'd be an experience. Yes, he's a little bird. He feels hot and liquid enough that he could be called any name right now and it'd be true. Yes: ] You can fuck me now--right now. Just keep talking to me.
[ By now, it could be a hymn's refrain. Matt believes in the brain as sex organ, and an often-underrated one at that. But he can't remember meeting someone who inflamed him quite like this, just with a phrase. Images lush as caresses, lodged in the amygdala where they spark, and spark, and spark.
Of course, accessing long-term memory is tough right now.
Matt realizes he's started fucking into his hand too hard, too fast; when he squeezes himself, forcing a halt, the effort pulls a gasp from him. He finds he's dripping onto his fingers. His gaze lowers, aiming to catch Quentin's eye in the mirror. His lips are still rounded, quivering with every pulse of pleasure, chest lifting and dipping noticeably as his breaths quicken. ]
Please.
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oh, to be in two places at once.
but he canβt deny the fact that his own cock aches with unmitigated need, that heβs sore enough that even shifting his weight to the other foot brings with it a throb. but he slides his fingers free of that delicious, warm heat and pushes to his feet on a sigh, grinning at matt in the mirror. he reaches round briefly, swiping at the liquid pearl across his fingers and brings it to his own mouth to taste, humming as he wanders away.
not far, no. instead, he grabs a chair and drags it over in front of Matt, at an angle, though, enough that he can see both his front and just the barest hint of his side were he to lean over it. ]
To your perch, little bird. Will you sing for me there, too, stretched out and pretty? If you sing well I might reward you with something a little more fun, let you make of me your perch.
[ he smoothes his hand up mattβs spine, his mouth falling to his shoulder, kissing his sweetly, but he doesnβt let his cock anywhere near the manβs waiting ass. only if matt complies, braces himself on the chair all lean and long lines will he fit his body up against his. ]
No more touching yourself, either. Iβd hate for you to spoil all your fun before I get to enjoy it, too.
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To your perch. Matt smiles. Makes a small sound in his throat, half strain and half approval for how effortlessly Quentin keeps a metaphor going. Under the slide of Quentin's hand, he lets his spine stretch to follow, lets the touch coax him downward, forward, until his fingers curl over the back of the chair and one knee settles onto the seat. His neck arches gently, head tipping to one side. ]
I think you sound prettier than I do, [ he murmurs. Experimentally, carefully, he inches his thighs apart, leaning a bit more of his weight onto his knee where it's braced on the chair. Quentin presses to him, heat of his cock to Matt's ass, and he gives a needy rub back against him. The friction--the effort of chasing him--makes him moan. ]
No more touching myself.
[ For emphasis, Matt's other hand joins the first on the back of the chair. He meets Quentin's gaze in the mirror, fingers tightening their grip where they brace. ]
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Good.
[ he smooths a hand down his side, to his hip and the other of course does the job of lining himself up in time with the needy rub. he laughs, low and warm in the back of his throat, and it's slowly that the head of his cock nudges against matt's worked hole. he groans lowly as his hips shift forward, slowly, slowly, fitting himself into the snug, slick heat of the other man's body.
he feels all the heat to take up the space quickly, but he tempers his own need, decides instead to watch matt's face in the mirror at the stretch. when he's fully seated, bottoming out and flush against his back, quentin leans to press his mouth against matt's nape. ]
Think you need to touch yourself, little bird? [ his voice goes a little breathy and he punctuates it with a grind of his hips. ]
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When he looks up, he barely recognizes himself. His face is flushed, his eyes wide and gleaming. Quentin's thrust slows to a halt as his hips press to Matt's ass; in the mirror, Matt sees his cock twitch. A drop of precum falls from the tip, landing on the chair with a tiny, obscene noise. It's so soft Matt might be imagining it, but it makes him blush a little brighter anyway. ]
No. I don't. [ The grind of Quentin's hips makes him moan, gets him rutting back against him, abrupt and insistent. ] Mm--I just need your cock.
[ A slightly politer way to say don't stop. ]
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one hand abandons his hips after a few thrusts, fingers pressing up his spine and into his hair, giving a soft tug, enough so that when quentin leans over his back again he can kiss him. it's a little haphazard, but he doesn't care, licking hot against matt's mouth on a soft laugh. ]
Look at yourself - taking me so well. [ he's a little winded, but it's a good thing, rolling his body a little harder into the next few thrusts so that he may watch his whole body adjust with the impact. ] Meant to be put on a perch and admired - a pretty little thing to covet.
[ he kisses matt's shoulder, following up with a sharp bite. ] Tell me when your legs get tired and I'll reward you for your honesty.
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Matt wouldn't need the mirror to turn at the tug to his hair, but the extra perspective helps. He cranes to meet Quentin, messy collision of their mouths that gets them both laughing breathlessly--until Quentin's next thrust shocks a more profound moan from him. Matt bites helplessly at Quentin's lip, chasing after his mouth as if to drink in those strained words. But as Quentin begins to rock into him more firmly, Matt can't hold the position; his head falls forward again. ]
Oh, [ he groans. It's nowhere near so nice as the delicious words Quentin has to offer. Out in life, Matt chafes at the thought of uselessness, of confinement as someone's object; here, now, it's searing. The hottest thing he can imagine. Pretty little thing draws a reedy sigh, and his cry at Quentin's bite is sharper than it might otherwise be. Matt sighs, ecstatic: ] Smart man.
[ He is absolutely the kind of person to try and tough out strain. He enjoys suffering for a partner now and then, and though Matt doesn't think of himself as competitive, he's always trying to one-up himself. So it is, indeed, smart that Quentin gets ahead of the urge. That's why it's only a little while later that Matt admits on a hoarse laugh, ] Ah--okay--you're turning my legs into jelly.
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[ quentin laughs, airy and out of breath, his thrusts slowing until he's pressed deep and seated in the warmth of him. it's intoxicating, and he leans over the man's back to kiss his unbitten shoulder. he thinks about picking matt up, scooping him into the bed and devouring him until they're both falling apart.
instead, he slowly, slowly, slowly, pulls out, his cock shocked by the cold and aching for him in a way that's nearly painful. but he smoothes his hand out of matt's hair, along his back, his flank, down to the strained lines of his thighs, gently urging him to stand, the other hand out to help for balance. ]
I've got you, little bird. [ he says softly, taking up matt's hand and guiding him back toward the bed. it's convenient that from the headboard he can see his reflection, so he climbs atop the bed and sits back, gesturing for him to join him. ] I'll do all the work, you just sit and enjoy yourself. Face the mirror - watch yourself as you fall apart.
[ he cannot help but reach of his weeping prick, reaching for the little tube of lube left on the table and slicking himself again on a throaty moan, warming himself up for matt. ]
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The actual sound he makes is a little more dignified than that, but not by much. Matt follows Quentin's coaxing to stand on wobbly legs, and immediately grabs for Quentin's hand with a breathless grin. He doesn't strictly have to lean on Quentin to get onto the bed, but it's definitely smoother with his help. Matt hums, pleased, for sit and enjoy yourself, and waits for Quentin to get where he wants to be before settling on his knees in front of him, facing the mirror.
For a moment, he focuses on positioning himself. But at Quentin's moan, Matt's head snaps to regard him, his eyes blown wide with arousal and fascination. ]
God ... [ A shaky sigh. A melting smile. ] I wanna watch you fuck me for hours, but I want to come too bad. I could wait if you told me to, but ... at this point it'd be pretty hard.
[ Somewhere between "erotic torture" and "impossible," actually, but Matt's never one to pass up a chance for understatement. ]
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