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πππππ, πππππ, πππππ β£ NOV TDM
NOVEMBER 2024 TDM: RENAISSANCE
Welcome to SALTBURNT, a panfandom smut/thriller game based off the film Saltburn, where characters are encouraged to indulge their deepest desires. The money never runs out and the liquor never stops pouring, so you may as well indulge from the bounty. Of course, things are rarely what they seem, and the manor itself seems to have a consciousness of its own. Throw parties, trash the house, engage in youthful merriment, but remember β dangers come out at night, and no one, no matter how rich you are, is safe from demons lurking in the shadows.
Threads can be considered game canon, provided the players agree. Players can also start fresh upon acceptance into the game. In game characters can post to the TDM directly, using Β« NEW CHARACTER/IN GAMEΒ» in the header. There will be a spot below for new characters to link their toplevels for easy access. Alternatively, prompts on the Test Drive can be used for in game logs.
WELCOME TO SALTBURNT
It's the hangover more than the light streaming in through half drawn curtains that wakes you up, your brain rattling in your skull, your mouth dry and cottony, your stomach churning with whatever it is you drank last night. If self preservation is your strong suit, you might turn over in bed and see a few painkillers laid out for you on a silver dish, accompanied by a glass of water. If it isnβt, stay in bed and wallow β eventually a maid will be in to tear your curtains open, saying, "Breakfast is served," and scurrying out quietly, invisibly. Breakfast? Maybe itβs normal for you. Maybe it isnβt.
You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room β have you been here before? Were you drawn up to this estate in a car? Havenβt you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, some who seem just as disgruntled and confused as you. No matter. "Breakfast will be out in a minute," they say. What's that?
EDIT SEPTEMBER 2024: For those who have attended breakfast with the Balfours before, a change in routine might come as a shock, given how rarely they stray from form. However, as of September, CARMY BERZATTO has taken over Head Chef position, alongside his cousin RICHIE JERIMOVICH and always the bridesmaid never the bride, SANJI. In place of the self-serve style breakfast, there is an elevated menu, including: a self-serve juice bar, with pitchers of various juiced fruit and vegetables, shaved ice, coconut water, green and black tea syrups, potted microherbs, sliced whole berries, and finger limes. There is also, naturally, liquor and champagne available. Guests can make their own drinks, or ask the allocated staff member to serve them one of the "specials" if they're feeling adventurous.
πππ πππππ: one runny boiled egg shelled and recoated in edible gold leaf, seated on a throne of fried bread soldiers, plated with whipped butter and italian parsley.
ππππ ππππππππ: vinegar poached eggs with hollandaise foam on a bed of toasted freekah and baby spinach.
ππππ πππππππππππ: two eggs poached in a ramekin of pureed tomato, served with a crispy grilled cheese cut to dip.
πππ ππππππ: french omelette with a light cheese filling, topped with crushed potato chips and chives.
ππππ π πππππππππ: fluffy scrambled eggs in brown butter, served on sourdough.
πππππππ ππππ: mini-quiche made with caramelized red onions and jamon pata negra ham.
πππ ππππππππππ: bacon, egg, cheese and sausage breakfast muffin that tastes weirdly like it was made at a popular chain with golden arches.
β momofuku's "cereal milk" β
β fette biscottate with a sour cherry jam and peanut floss β
β a warm cinnamon bun served with a shot of espresso coffee for dipping β
β a macadamia-marzipan croissant with a wattleseed and burnt-honey filling β
β poffertjes with a liquid nutella injection β
If you want to leave, youβll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as heβs as good at being invisible as the rest of the house staff. Of course, thereβs no reason why you canβt just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesnβt want you to leave. Those more sensitive or fragile might find they canβt make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesnβt dissipate, though β this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?
Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, itβs all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast.
"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."
You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room β have you been here before? Were you drawn up to this estate in a car? Havenβt you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, some who seem just as disgruntled and confused as you. No matter. "Breakfast will be out in a minute," they say. What's that?
EDIT SEPTEMBER 2024: For those who have attended breakfast with the Balfours before, a change in routine might come as a shock, given how rarely they stray from form. However, as of September, CARMY BERZATTO has taken over Head Chef position, alongside his cousin RICHIE JERIMOVICH and always the bridesmaid never the bride, SANJI. In place of the self-serve style breakfast, there is an elevated menu, including: a self-serve juice bar, with pitchers of various juiced fruit and vegetables, shaved ice, coconut water, green and black tea syrups, potted microherbs, sliced whole berries, and finger limes. There is also, naturally, liquor and champagne available. Guests can make their own drinks, or ask the allocated staff member to serve them one of the "specials" if they're feeling adventurous.
That said, these are world class chefs, so the gold is really in the menu:
THE EGGS
πππ πππππ: one runny boiled egg shelled and recoated in edible gold leaf, seated on a throne of fried bread soldiers, plated with whipped butter and italian parsley.
ππππ ππππππππ: vinegar poached eggs with hollandaise foam on a bed of toasted freekah and baby spinach.
ππππ πππππππππππ: two eggs poached in a ramekin of pureed tomato, served with a crispy grilled cheese cut to dip.
πππ ππππππ: french omelette with a light cheese filling, topped with crushed potato chips and chives.
ππππ π πππππππππ: fluffy scrambled eggs in brown butter, served on sourdough.
πππππππ ππππ: mini-quiche made with caramelized red onions and jamon pata negra ham.
πππ ππππππππππ: bacon, egg, cheese and sausage breakfast muffin that tastes weirdly like it was made at a popular chain with golden arches.
THE SWEETS
β fette biscottate with a sour cherry jam and peanut floss β
β a warm cinnamon bun served with a shot of espresso coffee for dipping β
β a macadamia-marzipan croissant with a wattleseed and burnt-honey filling β
β poffertjes with a liquid nutella injection β
If you want to leave, youβll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as heβs as good at being invisible as the rest of the house staff. Of course, thereβs no reason why you canβt just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesnβt want you to leave. Those more sensitive or fragile might find they canβt make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesnβt dissipate, though β this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?
Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, itβs all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast.
"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."
2 GIRLS 1 CUP
CONTENT WARNINGS: nudity, potential for nsfw.
Over the past few days, a bit of construction has taken place on the grounds of the Saltburnt estate, and while it's difficult to piece together what exactly is being built, it's clear to see: whatever it is, it's massive, taking up a huge percentage of the grounds with multiple included structures. On the outside it seems almost like a neighborhood is being sprung up βΒ new houses for people to live in, maybe? New shops, disconnected from the manor at large? All is revealed on opening day, when upon entry all are greeted with cheery hellos from jauntily clad persons shouting, "Huzzah!" and "Hail and well met!" For the more medieval and fantasy inclined among you, it might feel like stepping somewhere familiar and homey. To the rest, you know β you've just walked into a Ren Faire. Costumes are expected.
Not sure what to wear? Those born between SEPTEMBER to FEBRUARY are dubbed part of the Unseelie Court, which is associated with darkness and decay, generally dressed in deep, dark colors. Those born between MARCH to AUGUST are part of the Seelie Court, which is associated with stars and sky, in lighter, brighter colors.
On either side of the split path, you're assaulted by the scents, sights, and sounds of any ordinary Ren Faire. Vendors pawn off garlicky mushrooms and full turkey legs, or flower crowns and juggling sticks in exchange for a kiss, a secret, a lock of hair, or something of equal nonsensical value. Step inside a shop and see sellers offering crude jewelry and satchels of loose leaf tea, fudge sold by the ounce and porcelain ocarinas. Essentially, if it's kitschy and thematic, you can find it here, being sold to you by people in costume who refuse to break character.
Shopping not quite your style? Fear not! If you're lucky in your wanderings, your might spot the Unseelie Queen ALICENT HIGHTOWER or her counterpart and opposed Seelie Queen LAURALAE carried on palanquins towards the very back of the faire, where the real heart of the show takes place in a small stadium for entertainment purposes βΒ a tourney for distinguishing yourself as the best among your peers in the manor. Prior to the tourney, all characters are given a favor of some kind ( an embroidered handkerchief, ribbon, garland, or piece of jewelry ) to give to a person of their choosing, be they a competitor or not, to show their support. Strangely, this favor seems to link them through an empathetic, sensation-based bond, so they feel everything their chosen competitor experiences. Mutual favors result in a mutual bond.
The challenges are set: ARCHERY/KNIFE THROWING, SWORDFIGHTING/HAND-TO-HAND, and a BARD'S TOURNEY. In addition to the more ye olde flavor of competition, there are also challenges for COUPLE TENNIS, HORSE POLO, and CHESS. And, in true Saltburnt fashion, there is also a somewhat lewd display of voyeuristic NUDE WRESTLING, where the first person to have an orgasm loses. (You can sign up for these competitions HERE.) To every challenge there is dubbed a winner, who in the old Westerosi tradition gets to crown a chosen "maiden" with the title THE QUEEN OR KING OF LOVE AND BEAUTY and an extravagant wreath of flowers, their victory dedicated to the lucky lord or lady. These wreaths are both fashionable and functional β while wearing them, no one can resist following whatever queenly command your character gives. Additionally, winners will receive prizes courtesy of Saltburnt, all to be determined upon victory.
Whichever queen has the most winners at the end of the tourney is crowned HIGH QUEEN OF THE FAE. The Queen is paraded around and celebrated by all, and while tribute is not necessary, it certainly is appreciated!
Over the past few days, a bit of construction has taken place on the grounds of the Saltburnt estate, and while it's difficult to piece together what exactly is being built, it's clear to see: whatever it is, it's massive, taking up a huge percentage of the grounds with multiple included structures. On the outside it seems almost like a neighborhood is being sprung up βΒ new houses for people to live in, maybe? New shops, disconnected from the manor at large? All is revealed on opening day, when upon entry all are greeted with cheery hellos from jauntily clad persons shouting, "Huzzah!" and "Hail and well met!" For the more medieval and fantasy inclined among you, it might feel like stepping somewhere familiar and homey. To the rest, you know β you've just walked into a Ren Faire. Costumes are expected.
Not sure what to wear? Those born between SEPTEMBER to FEBRUARY are dubbed part of the Unseelie Court, which is associated with darkness and decay, generally dressed in deep, dark colors. Those born between MARCH to AUGUST are part of the Seelie Court, which is associated with stars and sky, in lighter, brighter colors.
On either side of the split path, you're assaulted by the scents, sights, and sounds of any ordinary Ren Faire. Vendors pawn off garlicky mushrooms and full turkey legs, or flower crowns and juggling sticks in exchange for a kiss, a secret, a lock of hair, or something of equal nonsensical value. Step inside a shop and see sellers offering crude jewelry and satchels of loose leaf tea, fudge sold by the ounce and porcelain ocarinas. Essentially, if it's kitschy and thematic, you can find it here, being sold to you by people in costume who refuse to break character.
Shopping not quite your style? Fear not! If you're lucky in your wanderings, your might spot the Unseelie Queen ALICENT HIGHTOWER or her counterpart and opposed Seelie Queen LAURALAE carried on palanquins towards the very back of the faire, where the real heart of the show takes place in a small stadium for entertainment purposes βΒ a tourney for distinguishing yourself as the best among your peers in the manor. Prior to the tourney, all characters are given a favor of some kind ( an embroidered handkerchief, ribbon, garland, or piece of jewelry ) to give to a person of their choosing, be they a competitor or not, to show their support. Strangely, this favor seems to link them through an empathetic, sensation-based bond, so they feel everything their chosen competitor experiences. Mutual favors result in a mutual bond.
The challenges are set: ARCHERY/KNIFE THROWING, SWORDFIGHTING/HAND-TO-HAND, and a BARD'S TOURNEY. In addition to the more ye olde flavor of competition, there are also challenges for COUPLE TENNIS, HORSE POLO, and CHESS. And, in true Saltburnt fashion, there is also a somewhat lewd display of voyeuristic NUDE WRESTLING, where the first person to have an orgasm loses. (You can sign up for these competitions HERE.) To every challenge there is dubbed a winner, who in the old Westerosi tradition gets to crown a chosen "maiden" with the title THE QUEEN OR KING OF LOVE AND BEAUTY and an extravagant wreath of flowers, their victory dedicated to the lucky lord or lady. These wreaths are both fashionable and functional β while wearing them, no one can resist following whatever queenly command your character gives. Additionally, winners will receive prizes courtesy of Saltburnt, all to be determined upon victory.
Whichever queen has the most winners at the end of the tourney is crowned HIGH QUEEN OF THE FAE. The Queen is paraded around and celebrated by all, and while tribute is not necessary, it certainly is appreciated!
RING AROUND THE ROSEY
CONTENT WARNINGS: potential for nsfw.
The Ren Faire fixture runs adjacent to the tree line of the forest, which one can enter through a booth manned by THE GREAT WIZARD ARCHIBALD, who warns you to be prepared to enter the Realm of the Fae beyond his backdrop curtain, before handing you a flower and a pair of antlers (or a head piece from your fauna choice) for your journey to the beyond. Upon entering, you are greeted by a forest that bears no resemblance to the woods you've grown to expect in your time at the manor, everything more exaggeratedly lush than it had been even a day or so prior. Plump fruits with slightly glimmering skins grow fat on the vine, every leaf on every tree vibrant and healthy despite the changing of seasons, gone orange and red with the cold. Despite that, it's surprisingly balmy in the forest, everything illuminated by glimmering fairy lights and strung up lanterns. Flowers bloom under your feet, alongside perfect little red mushrooms, everything so idealistic it almost borders on discomfort.
Despite any reservations, there is a wild compulsion to everyone who enters the forest. The flower the wizard gave you is pungent enough to dizzy your head, leading you to the instinct of frolicking β or if you're not the type to frolick, then wandering βΒ through the woods, to find some counterpart to your particular flower in a very innocent (or not so innocent) game of cat and mouse. Once you find them, a simple kiss will serve as enough to claim your prize and ease the compulsion. Unless, of course, you want to give a little more. It couldn't hurt, right?
Wander further through the seemingly never ending woods, drawn on of the beauty of faerie, and find yourself at a somewhat rundown chapel surrounded by foliage, the roof and walls broken down with age, invaded by exploring plant life that crawls and vines through every crack and opening. While the stone altar of indeterminate denomination seems like it hasn't been seen for hundreds of years, let alone cleaned, there's the distinct impression you are walking on hallowed, sacred ground when you move to inspect it. Those clever among you might note different runes etched on what appears to be a wooden tabernacle on an ancient pillar at the back of the chapel. Looking into it, there's a word from an unknown language carved inside, complimented with a cheat sheet bit of yellowing paper which reads F. M. K., with further explanation: FRIENDS, MARRY, KINK.
What could it mean? Well. You and whoever you entered the chapel with, or whoever enters next, are stuck until further notice unless you complete one of the proffered options. FRIENDS, it's time you bury the hatchet, let bygones be bygones and accept our faults moving forward, together, to the future. MARRY, let's seal our bonded union with the trees as our witness, in a church of our own making. KINK, if the altar can't be used for the former, it can certainly be used for the latter. Nothing vanilla will do βΒ kink up or shut up.
Once completed, you're free to leave and roam around the forest at your leisure. If you wander far enough you might hear a distant, organic sound whirring and clicking from the trees, but don't worry. Whatever is watching you probably doesn't bite.
The Ren Faire fixture runs adjacent to the tree line of the forest, which one can enter through a booth manned by THE GREAT WIZARD ARCHIBALD, who warns you to be prepared to enter the Realm of the Fae beyond his backdrop curtain, before handing you a flower and a pair of antlers (or a head piece from your fauna choice) for your journey to the beyond. Upon entering, you are greeted by a forest that bears no resemblance to the woods you've grown to expect in your time at the manor, everything more exaggeratedly lush than it had been even a day or so prior. Plump fruits with slightly glimmering skins grow fat on the vine, every leaf on every tree vibrant and healthy despite the changing of seasons, gone orange and red with the cold. Despite that, it's surprisingly balmy in the forest, everything illuminated by glimmering fairy lights and strung up lanterns. Flowers bloom under your feet, alongside perfect little red mushrooms, everything so idealistic it almost borders on discomfort.
Despite any reservations, there is a wild compulsion to everyone who enters the forest. The flower the wizard gave you is pungent enough to dizzy your head, leading you to the instinct of frolicking β or if you're not the type to frolick, then wandering βΒ through the woods, to find some counterpart to your particular flower in a very innocent (or not so innocent) game of cat and mouse. Once you find them, a simple kiss will serve as enough to claim your prize and ease the compulsion. Unless, of course, you want to give a little more. It couldn't hurt, right?
Wander further through the seemingly never ending woods, drawn on of the beauty of faerie, and find yourself at a somewhat rundown chapel surrounded by foliage, the roof and walls broken down with age, invaded by exploring plant life that crawls and vines through every crack and opening. While the stone altar of indeterminate denomination seems like it hasn't been seen for hundreds of years, let alone cleaned, there's the distinct impression you are walking on hallowed, sacred ground when you move to inspect it. Those clever among you might note different runes etched on what appears to be a wooden tabernacle on an ancient pillar at the back of the chapel. Looking into it, there's a word from an unknown language carved inside, complimented with a cheat sheet bit of yellowing paper which reads F. M. K., with further explanation: FRIENDS, MARRY, KINK.
What could it mean? Well. You and whoever you entered the chapel with, or whoever enters next, are stuck until further notice unless you complete one of the proffered options. FRIENDS, it's time you bury the hatchet, let bygones be bygones and accept our faults moving forward, together, to the future. MARRY, let's seal our bonded union with the trees as our witness, in a church of our own making. KINK, if the altar can't be used for the former, it can certainly be used for the latter. Nothing vanilla will do βΒ kink up or shut up.
Once completed, you're free to leave and roam around the forest at your leisure. If you wander far enough you might hear a distant, organic sound whirring and clicking from the trees, but don't worry. Whatever is watching you probably doesn't bite.
DIRECTORY
no subject
[ Did she say that out loud? Oops. ]
Sorry.
[ Anyway. ]
He's a fucking asshole. Why'd he suppress your magic? Was he scared you were gonna come after him?
no subject
[He snorts. It's funny now, but-]
It was a witch that set him up. Set us up, I guess. Inspired centuries of hate.
no subject
Well, I'm glad he's not here. Then we'd have to put the reincarnation thing to the test.
[ Ride or die: she sleeps. Ride or die and fuck Wil up: real shit. (She isn't serious. Unless?) ]
Your turn to ask me.
no subject
[Said with a shier, quieter tone. Like he's still recovering from sharing something that still hurts tender.]
no subject
Depends on how you look at it, I guess. [ A pause. ] There's this... being, called RaΓz. I made a blood pact with her a few years ago. Work for her for a century, get a wish in return. [ A light shrug β her version of trying to seem less upset. No one gets to see Cellar like this without good reason. ] Except she made me forget what I asked for. I can't even guess, it's like β it was just wiped from my mind. I'm stuck doing all kinds of crazy shit for decades and I don't even know if it's gonna be worth it. I can't even tell anyone my name.
[ She's sounding a little too frustrated for her own taste, another side people aren't supposed to see. Time to remedy that. Ahem. ]
Does that count?
no subject
[He's decided it does - and he looks at her with fondness, because he can relate to several parts of that. Dedicating time to a task he's not sure will be worth it (killing Wil) or ever come to fruition, being sealed into a pact he probably should've avoided and... living indefinitely, by the sounds of it. A century, she says.]
And here I thought you were just named uniquely, Celly. Do you know how many years you've got left?
no subject
I'm pretty new, so I'm still at, like, ninety-something. The older guys keep telling me there's no point in keeping close count, though. She's just gonna add more time to the contract if I do something she doesn't like.
[ Which. She kinda already has. ]
... Sooo. How old are you?
no subject
[Nosy, he wiggles a bit - listening. Sounds like a ways to go.]
I'm twenty... four? I've lived a lot of lives but it doesn't really stack. They're all more like dreams once you're through with them.
no subject
[ That doesn't matter, though. What does is: ]
Wait. I'm older than you?
no subject
[Wink wonk. He seems pleased.]
no subject
[ Even more scandalous!: that she sits up and gets on top of Theo, one leg to each side, weight on her knees. Her nightgown is practically wrapped around her hips in this position, showing everything from the hem down.
One hand rests flat on his chest. ]
So this totally means I'm the authority here, right?
no subject
I suppose I'm a naughty boy who needs punishing, yeah.
no subject
no subject
[He snorts. He loves to be a sugarbaby and a brat but he doesn't know how to sell it sometimes.]
Overdue library books. I was late to home room. I ate the last piece of pizza you were saving.
no subject
[ She squishes his cheeks, forcing him to purse his lips. They're so very serious about this. ]
Clearly you've got way too much freedom. I think I need to tie you down for a while.
no subject
[A big, stupid smile - all white teeth and glittering wide eyes.]
cw: time to get nsfw
She stays close, gaze switching between his mouth, his eyes, lighter blue now. She'll have to ask him about that. ]
How about you lie back like a good boy.
[ Failure on the Not Sounding Like an Absolute Dork front. Cellar pushes herself back up, projecting a shadow on his chest; one gesture and a string snakes from it to her hand, used to tie Theo's wrist to the headboard, body arched into him with all the intention to make him feel the curve between her legs, all that's separating them the single layer of her underwear. Process mirrored on his other hand, Cellar sits back to admire her work β any sign that Theo's done playing around and they'll dissipate like smoke β as smug as can be. ]
Can't decide if I should suck you off or just leave you like this. [ Hmm. She purses her lips, twisted to the side in mock-pensiveness. Ignore the way she starts to grind backwards, soft and slow. That couldn't be a motivator, surely. ] Thoughts?
no subject
Her shadows are strange - but not frightening. Nothing about her frightens him and he's not sure if that's because he lacks the wherewithal to know when danger lurks these days - not that anything would ever top Willem in his book, or because he trusts her so much already that he knows she'd never do him harm. He watches the snakes spread, cinching his wrists in place.
He tries to tug against them just to try it, satisfied (and sighing - oh, how he sighs in the most romantic of ways gazing at her) as he looks up at her, hard from the friction of her body teasing him. A warm flush washes down his neck, and he bites his lip for a beat before responding.]
If you leave me wanting, I'll just end up crying. And that's pathetic.
no subject
[ Is she allowed to say that this early on? Plausible deniability is key when it's someone whose opinion she cares about, so it's painted over the tone of her voice and smirk, palms sliding up Theo's chest until her body is pressed down, legs spread and hips rolling forward for contact, for heat. The noise she makes is soft and telling, the first drop of fluid in her underwear so quick it ought to be embarrassing. She's not supposed to be the flustered one β focus, Cellar.
A finger taps the corner of his eye. Lids low, smile affectionate and devious, ]
But then I'd have to clean those tears up for you.
[ After a moment, lips touch the same spot on his cheekbone. There's no eye contact when she licks a small, gentle dot with the tip of her tongue, then traces a path to his ear with kisses, one at a time, for her teeth to find and brush the shell. Hips lifted, left hand on the mattress, the right one moves down until it's low between their bodies. She starts to stroke his dick, slowly, patiently. The whisper is right next to him. ]
You're already hard, Teddie. Is that all it takes?
[ Like she can talk. ]
no subject
[His voice is a hushed whisper - pulled out of him slowly, as his head lolls back and his eyelids flutter. Her hand over his cock is heavenly; and she's not wrong, he's so easily rock hard beneath her body that he strains not to buck up against her palm. He wants to feel her body, wants to feel the heat inside her. He swallows hard, shoulders flexing and fingers curling in toward his palms, tugging against the restraints with another soft, pleasured sigh.]
You could always just ride me, you know.
no subject
Yeah? [ Smiling all over again. Theo makes it so easy. ] You wanna beg to fuck me?
no subject
[What would he be if not a good slut, in that circumstance? His fingers flex and his head lolls from side to side, gazing up at Cellar with a mix of adoration and complete, horny haze. He wants her seated on his cock, and he wants it now - so begging is hardly the worst thing in the world to do. He raises his brows, striking his plea with a soft, deliberately needy voice:]
Please?
no subject
He gets a soft squeeze around the crown, a little wet noise when he's released. Cellar climbs off, head angled, playful and lazy movements taking her from the foot of the bed to the bedside table. A small bottle is removed from the drawer, opened and turned upside down to let the lube pour on his dick; spread generously with paced pumps, watching every reaction, Cellar lets him go again β this time so she can stand up on the bed, one foot on either side of his waist. Her gown is tented enough to be noticeable, fingers splayed on her thighs so he can watch her slide up the hem β leftover lube coating her right side β until her thumbs slip beneath the waistband of her underwear. ]
You should see what you look like right now.
[ Beautiful. ]
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[It's the marvel of having a smartphone, right? Albeit a kind of crusty one, all things considered. But Theo says the words with distracted wonder of his own, eyes wide and watching every little movement she makes. His whole body rises with his inhale when she slickens his cock, pumping him smoothly - making his teeth grit and his toes curl simultaneously. No complaints, nothing in his head but awe as she climbs up and over him and he's... staring.
How did he land her? This tall, beautiful rockstar of a woman - witty and cute, matching his freak in a heartbeat? The kind of woman he's already designated to be his muse. The kind of sparkling individual that sticks out in a lifetime, across many lifetimes, memorable in a way not many ever are. His jaw is lax, lips parted, and he has to snap out of a dopey little reverie:]
Damn.
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Theo's torment is, unfortunately, going to last for a moment longer. Cellar slips a strap off her shoulder, palm on her breast for a slow massage, nipple between the sides of the index and middle finger while the other hand draws an invisible path down her front, fabric creased as she squeezes between her legs. Shoulders freeze with a gasp, like she was unprepared for how every part of her would react, lids low and brows knitted.
(Cellar never stops looking at him. She can't.)
Finally on her knees, the slow descent stops when his erection brushes against hers, soft skin slick with the helpless rush of fluid behind the indecent spot on her nightgown. Lifted slightly, Cellar slides her hips to rub a smooth line over his cock, pressing up like it objects to her delaying the inevitable. Fingers lift the dress to let him see his length under hers, but Cellar's show is falling apart β she's falling apart, muscles flexed, every thought reduced to the embarrassing need to have him thrust until she's the one begging, not him. ]
Teddie?
[ A low murmur. Her impatience is going to make this uncomfortable for a while, at least until pain gives way to relief. That's fine β Cellar lines Theo up with her hand, sinks until the head pushes past the resistance. With a hurt noise, then a sharp exhale, ]
Fuckβ
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