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draino2024-11-09 08:00 am
saltburnmods) wrote in draino2024-11-09 08:00 am
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πππππ, πππππ, πππππ β£ NOV TDM
NOVEMBER 2024 TDM: RENAISSANCE
Welcome to SALTBURNT, a panfandom smut/thriller game based off the film Saltburn, where characters are encouraged to indulge their deepest desires. The money never runs out and the liquor never stops pouring, so you may as well indulge from the bounty. Of course, things are rarely what they seem, and the manor itself seems to have a consciousness of its own. Throw parties, trash the house, engage in youthful merriment, but remember β dangers come out at night, and no one, no matter how rich you are, is safe from demons lurking in the shadows.
Threads can be considered game canon, provided the players agree. Players can also start fresh upon acceptance into the game. In game characters can post to the TDM directly, using Β« NEW CHARACTER/IN GAMEΒ» in the header. There will be a spot below for new characters to link their toplevels for easy access. Alternatively, prompts on the Test Drive can be used for in game logs.
WELCOME TO SALTBURNT
It's the hangover more than the light streaming in through half drawn curtains that wakes you up, your brain rattling in your skull, your mouth dry and cottony, your stomach churning with whatever it is you drank last night. If self preservation is your strong suit, you might turn over in bed and see a few painkillers laid out for you on a silver dish, accompanied by a glass of water. If it isnβt, stay in bed and wallow β eventually a maid will be in to tear your curtains open, saying, "Breakfast is served," and scurrying out quietly, invisibly. Breakfast? Maybe itβs normal for you. Maybe it isnβt.
You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room β have you been here before? Were you drawn up to this estate in a car? Havenβt you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, some who seem just as disgruntled and confused as you. No matter. "Breakfast will be out in a minute," they say. What's that?
EDIT SEPTEMBER 2024: For those who have attended breakfast with the Balfours before, a change in routine might come as a shock, given how rarely they stray from form. However, as of September, CARMY BERZATTO has taken over Head Chef position, alongside his cousin RICHIE JERIMOVICH and always the bridesmaid never the bride, SANJI. In place of the self-serve style breakfast, there is an elevated menu, including: a self-serve juice bar, with pitchers of various juiced fruit and vegetables, shaved ice, coconut water, green and black tea syrups, potted microherbs, sliced whole berries, and finger limes. There is also, naturally, liquor and champagne available. Guests can make their own drinks, or ask the allocated staff member to serve them one of the "specials" if they're feeling adventurous.
πππ πππππ: one runny boiled egg shelled and recoated in edible gold leaf, seated on a throne of fried bread soldiers, plated with whipped butter and italian parsley.
ππππ ππππππππ: vinegar poached eggs with hollandaise foam on a bed of toasted freekah and baby spinach.
ππππ πππππππππππ: two eggs poached in a ramekin of pureed tomato, served with a crispy grilled cheese cut to dip.
πππ ππππππ: french omelette with a light cheese filling, topped with crushed potato chips and chives.
ππππ π πππππππππ: fluffy scrambled eggs in brown butter, served on sourdough.
πππππππ ππππ: mini-quiche made with caramelized red onions and jamon pata negra ham.
πππ ππππππππππ: bacon, egg, cheese and sausage breakfast muffin that tastes weirdly like it was made at a popular chain with golden arches.
β momofuku's "cereal milk" β
β fette biscottate with a sour cherry jam and peanut floss β
β a warm cinnamon bun served with a shot of espresso coffee for dipping β
β a macadamia-marzipan croissant with a wattleseed and burnt-honey filling β
β poffertjes with a liquid nutella injection β
If you want to leave, youβll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as heβs as good at being invisible as the rest of the house staff. Of course, thereβs no reason why you canβt just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesnβt want you to leave. Those more sensitive or fragile might find they canβt make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesnβt dissipate, though β this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?
Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, itβs all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast.
"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."
You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room β have you been here before? Were you drawn up to this estate in a car? Havenβt you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, some who seem just as disgruntled and confused as you. No matter. "Breakfast will be out in a minute," they say. What's that?
EDIT SEPTEMBER 2024: For those who have attended breakfast with the Balfours before, a change in routine might come as a shock, given how rarely they stray from form. However, as of September, CARMY BERZATTO has taken over Head Chef position, alongside his cousin RICHIE JERIMOVICH and always the bridesmaid never the bride, SANJI. In place of the self-serve style breakfast, there is an elevated menu, including: a self-serve juice bar, with pitchers of various juiced fruit and vegetables, shaved ice, coconut water, green and black tea syrups, potted microherbs, sliced whole berries, and finger limes. There is also, naturally, liquor and champagne available. Guests can make their own drinks, or ask the allocated staff member to serve them one of the "specials" if they're feeling adventurous.
That said, these are world class chefs, so the gold is really in the menu:
THE EGGS
πππ πππππ: one runny boiled egg shelled and recoated in edible gold leaf, seated on a throne of fried bread soldiers, plated with whipped butter and italian parsley.
ππππ ππππππππ: vinegar poached eggs with hollandaise foam on a bed of toasted freekah and baby spinach.
ππππ πππππππππππ: two eggs poached in a ramekin of pureed tomato, served with a crispy grilled cheese cut to dip.
πππ ππππππ: french omelette with a light cheese filling, topped with crushed potato chips and chives.
ππππ π πππππππππ: fluffy scrambled eggs in brown butter, served on sourdough.
πππππππ ππππ: mini-quiche made with caramelized red onions and jamon pata negra ham.
πππ ππππππππππ: bacon, egg, cheese and sausage breakfast muffin that tastes weirdly like it was made at a popular chain with golden arches.
THE SWEETS
β fette biscottate with a sour cherry jam and peanut floss β
β a warm cinnamon bun served with a shot of espresso coffee for dipping β
β a macadamia-marzipan croissant with a wattleseed and burnt-honey filling β
β poffertjes with a liquid nutella injection β
If you want to leave, youβll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as heβs as good at being invisible as the rest of the house staff. Of course, thereβs no reason why you canβt just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesnβt want you to leave. Those more sensitive or fragile might find they canβt make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesnβt dissipate, though β this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?
Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, itβs all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast.
"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."
2 GIRLS 1 CUP
CONTENT WARNINGS: nudity, potential for nsfw.
Over the past few days, a bit of construction has taken place on the grounds of the Saltburnt estate, and while it's difficult to piece together what exactly is being built, it's clear to see: whatever it is, it's massive, taking up a huge percentage of the grounds with multiple included structures. On the outside it seems almost like a neighborhood is being sprung up βΒ new houses for people to live in, maybe? New shops, disconnected from the manor at large? All is revealed on opening day, when upon entry all are greeted with cheery hellos from jauntily clad persons shouting, "Huzzah!" and "Hail and well met!" For the more medieval and fantasy inclined among you, it might feel like stepping somewhere familiar and homey. To the rest, you know β you've just walked into a Ren Faire. Costumes are expected.
Not sure what to wear? Those born between SEPTEMBER to FEBRUARY are dubbed part of the Unseelie Court, which is associated with darkness and decay, generally dressed in deep, dark colors. Those born between MARCH to AUGUST are part of the Seelie Court, which is associated with stars and sky, in lighter, brighter colors.
On either side of the split path, you're assaulted by the scents, sights, and sounds of any ordinary Ren Faire. Vendors pawn off garlicky mushrooms and full turkey legs, or flower crowns and juggling sticks in exchange for a kiss, a secret, a lock of hair, or something of equal nonsensical value. Step inside a shop and see sellers offering crude jewelry and satchels of loose leaf tea, fudge sold by the ounce and porcelain ocarinas. Essentially, if it's kitschy and thematic, you can find it here, being sold to you by people in costume who refuse to break character.
Shopping not quite your style? Fear not! If you're lucky in your wanderings, your might spot the Unseelie Queen ALICENT HIGHTOWER or her counterpart and opposed Seelie Queen LAURALAE carried on palanquins towards the very back of the faire, where the real heart of the show takes place in a small stadium for entertainment purposes βΒ a tourney for distinguishing yourself as the best among your peers in the manor. Prior to the tourney, all characters are given a favor of some kind ( an embroidered handkerchief, ribbon, garland, or piece of jewelry ) to give to a person of their choosing, be they a competitor or not, to show their support. Strangely, this favor seems to link them through an empathetic, sensation-based bond, so they feel everything their chosen competitor experiences. Mutual favors result in a mutual bond.
The challenges are set: ARCHERY/KNIFE THROWING, SWORDFIGHTING/HAND-TO-HAND, and a BARD'S TOURNEY. In addition to the more ye olde flavor of competition, there are also challenges for COUPLE TENNIS, HORSE POLO, and CHESS. And, in true Saltburnt fashion, there is also a somewhat lewd display of voyeuristic NUDE WRESTLING, where the first person to have an orgasm loses. (You can sign up for these competitions HERE.) To every challenge there is dubbed a winner, who in the old Westerosi tradition gets to crown a chosen "maiden" with the title THE QUEEN OR KING OF LOVE AND BEAUTY and an extravagant wreath of flowers, their victory dedicated to the lucky lord or lady. These wreaths are both fashionable and functional β while wearing them, no one can resist following whatever queenly command your character gives. Additionally, winners will receive prizes courtesy of Saltburnt, all to be determined upon victory.
Whichever queen has the most winners at the end of the tourney is crowned HIGH QUEEN OF THE FAE. The Queen is paraded around and celebrated by all, and while tribute is not necessary, it certainly is appreciated!
Over the past few days, a bit of construction has taken place on the grounds of the Saltburnt estate, and while it's difficult to piece together what exactly is being built, it's clear to see: whatever it is, it's massive, taking up a huge percentage of the grounds with multiple included structures. On the outside it seems almost like a neighborhood is being sprung up βΒ new houses for people to live in, maybe? New shops, disconnected from the manor at large? All is revealed on opening day, when upon entry all are greeted with cheery hellos from jauntily clad persons shouting, "Huzzah!" and "Hail and well met!" For the more medieval and fantasy inclined among you, it might feel like stepping somewhere familiar and homey. To the rest, you know β you've just walked into a Ren Faire. Costumes are expected.
Not sure what to wear? Those born between SEPTEMBER to FEBRUARY are dubbed part of the Unseelie Court, which is associated with darkness and decay, generally dressed in deep, dark colors. Those born between MARCH to AUGUST are part of the Seelie Court, which is associated with stars and sky, in lighter, brighter colors.
On either side of the split path, you're assaulted by the scents, sights, and sounds of any ordinary Ren Faire. Vendors pawn off garlicky mushrooms and full turkey legs, or flower crowns and juggling sticks in exchange for a kiss, a secret, a lock of hair, or something of equal nonsensical value. Step inside a shop and see sellers offering crude jewelry and satchels of loose leaf tea, fudge sold by the ounce and porcelain ocarinas. Essentially, if it's kitschy and thematic, you can find it here, being sold to you by people in costume who refuse to break character.
Shopping not quite your style? Fear not! If you're lucky in your wanderings, your might spot the Unseelie Queen ALICENT HIGHTOWER or her counterpart and opposed Seelie Queen LAURALAE carried on palanquins towards the very back of the faire, where the real heart of the show takes place in a small stadium for entertainment purposes βΒ a tourney for distinguishing yourself as the best among your peers in the manor. Prior to the tourney, all characters are given a favor of some kind ( an embroidered handkerchief, ribbon, garland, or piece of jewelry ) to give to a person of their choosing, be they a competitor or not, to show their support. Strangely, this favor seems to link them through an empathetic, sensation-based bond, so they feel everything their chosen competitor experiences. Mutual favors result in a mutual bond.
The challenges are set: ARCHERY/KNIFE THROWING, SWORDFIGHTING/HAND-TO-HAND, and a BARD'S TOURNEY. In addition to the more ye olde flavor of competition, there are also challenges for COUPLE TENNIS, HORSE POLO, and CHESS. And, in true Saltburnt fashion, there is also a somewhat lewd display of voyeuristic NUDE WRESTLING, where the first person to have an orgasm loses. (You can sign up for these competitions HERE.) To every challenge there is dubbed a winner, who in the old Westerosi tradition gets to crown a chosen "maiden" with the title THE QUEEN OR KING OF LOVE AND BEAUTY and an extravagant wreath of flowers, their victory dedicated to the lucky lord or lady. These wreaths are both fashionable and functional β while wearing them, no one can resist following whatever queenly command your character gives. Additionally, winners will receive prizes courtesy of Saltburnt, all to be determined upon victory.
Whichever queen has the most winners at the end of the tourney is crowned HIGH QUEEN OF THE FAE. The Queen is paraded around and celebrated by all, and while tribute is not necessary, it certainly is appreciated!
RING AROUND THE ROSEY
CONTENT WARNINGS: potential for nsfw.
The Ren Faire fixture runs adjacent to the tree line of the forest, which one can enter through a booth manned by THE GREAT WIZARD ARCHIBALD, who warns you to be prepared to enter the Realm of the Fae beyond his backdrop curtain, before handing you a flower and a pair of antlers (or a head piece from your fauna choice) for your journey to the beyond. Upon entering, you are greeted by a forest that bears no resemblance to the woods you've grown to expect in your time at the manor, everything more exaggeratedly lush than it had been even a day or so prior. Plump fruits with slightly glimmering skins grow fat on the vine, every leaf on every tree vibrant and healthy despite the changing of seasons, gone orange and red with the cold. Despite that, it's surprisingly balmy in the forest, everything illuminated by glimmering fairy lights and strung up lanterns. Flowers bloom under your feet, alongside perfect little red mushrooms, everything so idealistic it almost borders on discomfort.
Despite any reservations, there is a wild compulsion to everyone who enters the forest. The flower the wizard gave you is pungent enough to dizzy your head, leading you to the instinct of frolicking β or if you're not the type to frolick, then wandering βΒ through the woods, to find some counterpart to your particular flower in a very innocent (or not so innocent) game of cat and mouse. Once you find them, a simple kiss will serve as enough to claim your prize and ease the compulsion. Unless, of course, you want to give a little more. It couldn't hurt, right?
Wander further through the seemingly never ending woods, drawn on of the beauty of faerie, and find yourself at a somewhat rundown chapel surrounded by foliage, the roof and walls broken down with age, invaded by exploring plant life that crawls and vines through every crack and opening. While the stone altar of indeterminate denomination seems like it hasn't been seen for hundreds of years, let alone cleaned, there's the distinct impression you are walking on hallowed, sacred ground when you move to inspect it. Those clever among you might note different runes etched on what appears to be a wooden tabernacle on an ancient pillar at the back of the chapel. Looking into it, there's a word from an unknown language carved inside, complimented with a cheat sheet bit of yellowing paper which reads F. M. K., with further explanation: FRIENDS, MARRY, KINK.
What could it mean? Well. You and whoever you entered the chapel with, or whoever enters next, are stuck until further notice unless you complete one of the proffered options. FRIENDS, it's time you bury the hatchet, let bygones be bygones and accept our faults moving forward, together, to the future. MARRY, let's seal our bonded union with the trees as our witness, in a church of our own making. KINK, if the altar can't be used for the former, it can certainly be used for the latter. Nothing vanilla will do βΒ kink up or shut up.
Once completed, you're free to leave and roam around the forest at your leisure. If you wander far enough you might hear a distant, organic sound whirring and clicking from the trees, but don't worry. Whatever is watching you probably doesn't bite.
The Ren Faire fixture runs adjacent to the tree line of the forest, which one can enter through a booth manned by THE GREAT WIZARD ARCHIBALD, who warns you to be prepared to enter the Realm of the Fae beyond his backdrop curtain, before handing you a flower and a pair of antlers (or a head piece from your fauna choice) for your journey to the beyond. Upon entering, you are greeted by a forest that bears no resemblance to the woods you've grown to expect in your time at the manor, everything more exaggeratedly lush than it had been even a day or so prior. Plump fruits with slightly glimmering skins grow fat on the vine, every leaf on every tree vibrant and healthy despite the changing of seasons, gone orange and red with the cold. Despite that, it's surprisingly balmy in the forest, everything illuminated by glimmering fairy lights and strung up lanterns. Flowers bloom under your feet, alongside perfect little red mushrooms, everything so idealistic it almost borders on discomfort.
Despite any reservations, there is a wild compulsion to everyone who enters the forest. The flower the wizard gave you is pungent enough to dizzy your head, leading you to the instinct of frolicking β or if you're not the type to frolick, then wandering βΒ through the woods, to find some counterpart to your particular flower in a very innocent (or not so innocent) game of cat and mouse. Once you find them, a simple kiss will serve as enough to claim your prize and ease the compulsion. Unless, of course, you want to give a little more. It couldn't hurt, right?
Wander further through the seemingly never ending woods, drawn on of the beauty of faerie, and find yourself at a somewhat rundown chapel surrounded by foliage, the roof and walls broken down with age, invaded by exploring plant life that crawls and vines through every crack and opening. While the stone altar of indeterminate denomination seems like it hasn't been seen for hundreds of years, let alone cleaned, there's the distinct impression you are walking on hallowed, sacred ground when you move to inspect it. Those clever among you might note different runes etched on what appears to be a wooden tabernacle on an ancient pillar at the back of the chapel. Looking into it, there's a word from an unknown language carved inside, complimented with a cheat sheet bit of yellowing paper which reads F. M. K., with further explanation: FRIENDS, MARRY, KINK.
What could it mean? Well. You and whoever you entered the chapel with, or whoever enters next, are stuck until further notice unless you complete one of the proffered options. FRIENDS, it's time you bury the hatchet, let bygones be bygones and accept our faults moving forward, together, to the future. MARRY, let's seal our bonded union with the trees as our witness, in a church of our own making. KINK, if the altar can't be used for the former, it can certainly be used for the latter. Nothing vanilla will do βΒ kink up or shut up.
Once completed, you're free to leave and roam around the forest at your leisure. If you wander far enough you might hear a distant, organic sound whirring and clicking from the trees, but don't worry. Whatever is watching you probably doesn't bite.
DIRECTORY
cw: self-injury, blood π but like in a romantic way
maybe she had never had to be just alina at all. maybe she had just had to be his. his normal. his version of a future that can fit just alina, and the enormity of what she is. an oddity, but maybe not too odd for him, after all. she smiles, and it's all dewy-eyed with untapped relief, flushed the rosy-pink of a girl trying to hold back from watering wildflowers with her tears. from one wet blink to the next, alina makes the executive that it still feels wrong — paul on his knees while she dangles on an altar, a deity above him — and sinks from her pedestal to her knees, a little too hastily.
she doesn't flinch when her bony knees meet the hard bite of stone. even as it threatens a bruise, it's better to exist on solid ground with him — not as a master or a maker, but as an equal. a little miserably: )
I don't have anything to give you. Not a ring, or a crown, or a family name. If we have children, I can't give them any legacy. I can't give our family my mother's culture, because I've never known it. I can barely give you mine, because my country never wanted to share it with me.
( maybe not so much like equals after all. what has he given her? the right to his family's name, if she should want it. the right to their heritage, the right to inherit his father's ring. it weighs heavily on her finger as she leans into a crawl, hands cautiously posed near each side of his knees. what can she give him? her eyes trail to where she knows his crysknife will be, snug and sacred against his hip. )
But I can give you this. ( it's a smooth motion — plucking and unsheathing it, wasting no time in the ceremony of slicing open her unmarred palm, flinching from the wet-warm of her blood. through a quiet murmur, ) My water. My life. I'd spend every drop and every day on you.
( a heavy pause, then. the cut slowly drip, drip, drips to feed the soil, red on white daisy petals. alina's eyes flutter questingly over his face, from temple to cheek to chin, back to his eyes. )
Could that be enough? To not only be your wife, but ... your family, too?
no subject
instinctively, his hands cup the sides of her thighs, captivated by the welling red of her blood, watching it spill out of her βΒ his water flushed bride, his monsoon wife. he's dreamt this. a hand in the sand, a slash through it, an overindulgence, some excess of wet, the chanting of dunes whispering old, forgotten secrets to him. he wasn't afraid then, and he isn't afraid now, snake slithering his head from side to side for a second, before cupping under her wounded hand, catching her spilling blood in his. when he tears his gaze from the gouge, it's to look at alina, eyes wet with emotion. )
"Enough" is an unfair thing to ask me. ( his free hand moves up, into the wound βΒ lightly, teasing the torn sides like a lover, soaking up her blood. he lifts his two fingers for her to observe, the red stark against his pale skin. ) Because this is everything. This means everything to me.
( he lifts her hand to rest palm side up against his shoulder, though he doesn't mind if there's a mess. dipping his finger back in her blood ink, he sucks in a breath, nodding, looking at her. captivated. in love. )
Alina ... I'd be honored to call you family. It's the only thing I want β to be part of you, in that way. You can be wife and sister and daughter to me. You can be the life that flows through my veins. You already are.
( the same way alina once consecrated her name on him in his blood, her poises his fingers at her wrists, pauses, and then writes. it starts with an a, not a p, and after looking to her for some reassurance, he finishes the oath in blood, a ritualistic declaration, forevermore claiming alina βΒ atreides. )
no subject
shared blood in their veins, born of the same cosmic particles of light and stardust. maybe she'll never be what alia is to him — it was predetermined, at her birth, that paul would love alia, the same way mal was predestined to love alina. there's no sense competing with the designs of fate, but — she thinks she could be happy, like this. being his choice. being the daughter he didn't make, the sister he didn't expect, even if alia had been there to claim those titles first.
anything, if it means he can't bleed her out of him, any more than he could take alia out of him.
pearly teeth nibble at her lip, embarrassed by how not opaque she's been, but not so embarrassed that she can't tease: ) Paul Atreides sees all.
( she inches forward, in line with the baby steps of her power, tugging on the thread that binds him to it, like a shy child pulling at her mother's skirts. crimson smears into his cheek as she cups his jaw, gentle and steady, using it as a bridle. not for control, really, just — a need for paul's stillness, like a wild animal spooked by sudden movements. curious, but only comfortable exploring if she can take it on her own time. she hovers, eyes darting between his, searching for an answer to an unspoken question — before she tilts her head to feather to his cheek, peppering foot trails of kisses toward his mouth.
it's brief, a quick brush. and then another, and another, stealing sipping kisses from his mouth. each lingers longer than the last, but never quite long enough for him to snare her to him and keep her there in her nervy flightiness, all hummingbird fidgety. )
Tell me, ( she whispers, a quiet puff of desert heat against his lips, more plea than demand. ) When you dream, what does that future look like for us?