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draino2024-11-09 08:00 am
saltburnmods) wrote in draino2024-11-09 08:00 am
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πππππ, πππππ, πππππ β£ NOV TDM
NOVEMBER 2024 TDM: RENAISSANCE
Welcome to SALTBURNT, a panfandom smut/thriller game based off the film Saltburn, where characters are encouraged to indulge their deepest desires. The money never runs out and the liquor never stops pouring, so you may as well indulge from the bounty. Of course, things are rarely what they seem, and the manor itself seems to have a consciousness of its own. Throw parties, trash the house, engage in youthful merriment, but remember β dangers come out at night, and no one, no matter how rich you are, is safe from demons lurking in the shadows.
Threads can be considered game canon, provided the players agree. Players can also start fresh upon acceptance into the game. In game characters can post to the TDM directly, using Β« NEW CHARACTER/IN GAMEΒ» in the header. There will be a spot below for new characters to link their toplevels for easy access. Alternatively, prompts on the Test Drive can be used for in game logs.
WELCOME TO SALTBURNT
It's the hangover more than the light streaming in through half drawn curtains that wakes you up, your brain rattling in your skull, your mouth dry and cottony, your stomach churning with whatever it is you drank last night. If self preservation is your strong suit, you might turn over in bed and see a few painkillers laid out for you on a silver dish, accompanied by a glass of water. If it isnβt, stay in bed and wallow β eventually a maid will be in to tear your curtains open, saying, "Breakfast is served," and scurrying out quietly, invisibly. Breakfast? Maybe itβs normal for you. Maybe it isnβt.
You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room β have you been here before? Were you drawn up to this estate in a car? Havenβt you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, some who seem just as disgruntled and confused as you. No matter. "Breakfast will be out in a minute," they say. What's that?
EDIT SEPTEMBER 2024: For those who have attended breakfast with the Balfours before, a change in routine might come as a shock, given how rarely they stray from form. However, as of September, CARMY BERZATTO has taken over Head Chef position, alongside his cousin RICHIE JERIMOVICH and always the bridesmaid never the bride, SANJI. In place of the self-serve style breakfast, there is an elevated menu, including: a self-serve juice bar, with pitchers of various juiced fruit and vegetables, shaved ice, coconut water, green and black tea syrups, potted microherbs, sliced whole berries, and finger limes. There is also, naturally, liquor and champagne available. Guests can make their own drinks, or ask the allocated staff member to serve them one of the "specials" if they're feeling adventurous.
πππ πππππ: one runny boiled egg shelled and recoated in edible gold leaf, seated on a throne of fried bread soldiers, plated with whipped butter and italian parsley.
ππππ ππππππππ: vinegar poached eggs with hollandaise foam on a bed of toasted freekah and baby spinach.
ππππ πππππππππππ: two eggs poached in a ramekin of pureed tomato, served with a crispy grilled cheese cut to dip.
πππ ππππππ: french omelette with a light cheese filling, topped with crushed potato chips and chives.
ππππ π πππππππππ: fluffy scrambled eggs in brown butter, served on sourdough.
πππππππ ππππ: mini-quiche made with caramelized red onions and jamon pata negra ham.
πππ ππππππππππ: bacon, egg, cheese and sausage breakfast muffin that tastes weirdly like it was made at a popular chain with golden arches.
β momofuku's "cereal milk" β
β fette biscottate with a sour cherry jam and peanut floss β
β a warm cinnamon bun served with a shot of espresso coffee for dipping β
β a macadamia-marzipan croissant with a wattleseed and burnt-honey filling β
β poffertjes with a liquid nutella injection β
If you want to leave, youβll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as heβs as good at being invisible as the rest of the house staff. Of course, thereβs no reason why you canβt just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesnβt want you to leave. Those more sensitive or fragile might find they canβt make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesnβt dissipate, though β this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?
Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, itβs all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast.
"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."
You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room β have you been here before? Were you drawn up to this estate in a car? Havenβt you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, some who seem just as disgruntled and confused as you. No matter. "Breakfast will be out in a minute," they say. What's that?
EDIT SEPTEMBER 2024: For those who have attended breakfast with the Balfours before, a change in routine might come as a shock, given how rarely they stray from form. However, as of September, CARMY BERZATTO has taken over Head Chef position, alongside his cousin RICHIE JERIMOVICH and always the bridesmaid never the bride, SANJI. In place of the self-serve style breakfast, there is an elevated menu, including: a self-serve juice bar, with pitchers of various juiced fruit and vegetables, shaved ice, coconut water, green and black tea syrups, potted microherbs, sliced whole berries, and finger limes. There is also, naturally, liquor and champagne available. Guests can make their own drinks, or ask the allocated staff member to serve them one of the "specials" if they're feeling adventurous.
That said, these are world class chefs, so the gold is really in the menu:
THE EGGS
πππ πππππ: one runny boiled egg shelled and recoated in edible gold leaf, seated on a throne of fried bread soldiers, plated with whipped butter and italian parsley.
ππππ ππππππππ: vinegar poached eggs with hollandaise foam on a bed of toasted freekah and baby spinach.
ππππ πππππππππππ: two eggs poached in a ramekin of pureed tomato, served with a crispy grilled cheese cut to dip.
πππ ππππππ: french omelette with a light cheese filling, topped with crushed potato chips and chives.
ππππ π πππππππππ: fluffy scrambled eggs in brown butter, served on sourdough.
πππππππ ππππ: mini-quiche made with caramelized red onions and jamon pata negra ham.
πππ ππππππππππ: bacon, egg, cheese and sausage breakfast muffin that tastes weirdly like it was made at a popular chain with golden arches.
THE SWEETS
β fette biscottate with a sour cherry jam and peanut floss β
β a warm cinnamon bun served with a shot of espresso coffee for dipping β
β a macadamia-marzipan croissant with a wattleseed and burnt-honey filling β
β poffertjes with a liquid nutella injection β
If you want to leave, youβll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as heβs as good at being invisible as the rest of the house staff. Of course, thereβs no reason why you canβt just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesnβt want you to leave. Those more sensitive or fragile might find they canβt make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesnβt dissipate, though β this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?
Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, itβs all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast.
"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."
2 GIRLS 1 CUP
CONTENT WARNINGS: nudity, potential for nsfw.
Over the past few days, a bit of construction has taken place on the grounds of the Saltburnt estate, and while it's difficult to piece together what exactly is being built, it's clear to see: whatever it is, it's massive, taking up a huge percentage of the grounds with multiple included structures. On the outside it seems almost like a neighborhood is being sprung up βΒ new houses for people to live in, maybe? New shops, disconnected from the manor at large? All is revealed on opening day, when upon entry all are greeted with cheery hellos from jauntily clad persons shouting, "Huzzah!" and "Hail and well met!" For the more medieval and fantasy inclined among you, it might feel like stepping somewhere familiar and homey. To the rest, you know β you've just walked into a Ren Faire. Costumes are expected.
Not sure what to wear? Those born between SEPTEMBER to FEBRUARY are dubbed part of the Unseelie Court, which is associated with darkness and decay, generally dressed in deep, dark colors. Those born between MARCH to AUGUST are part of the Seelie Court, which is associated with stars and sky, in lighter, brighter colors.
On either side of the split path, you're assaulted by the scents, sights, and sounds of any ordinary Ren Faire. Vendors pawn off garlicky mushrooms and full turkey legs, or flower crowns and juggling sticks in exchange for a kiss, a secret, a lock of hair, or something of equal nonsensical value. Step inside a shop and see sellers offering crude jewelry and satchels of loose leaf tea, fudge sold by the ounce and porcelain ocarinas. Essentially, if it's kitschy and thematic, you can find it here, being sold to you by people in costume who refuse to break character.
Shopping not quite your style? Fear not! If you're lucky in your wanderings, your might spot the Unseelie Queen ALICENT HIGHTOWER or her counterpart and opposed Seelie Queen LAURALAE carried on palanquins towards the very back of the faire, where the real heart of the show takes place in a small stadium for entertainment purposes βΒ a tourney for distinguishing yourself as the best among your peers in the manor. Prior to the tourney, all characters are given a favor of some kind ( an embroidered handkerchief, ribbon, garland, or piece of jewelry ) to give to a person of their choosing, be they a competitor or not, to show their support. Strangely, this favor seems to link them through an empathetic, sensation-based bond, so they feel everything their chosen competitor experiences. Mutual favors result in a mutual bond.
The challenges are set: ARCHERY/KNIFE THROWING, SWORDFIGHTING/HAND-TO-HAND, and a BARD'S TOURNEY. In addition to the more ye olde flavor of competition, there are also challenges for COUPLE TENNIS, HORSE POLO, and CHESS. And, in true Saltburnt fashion, there is also a somewhat lewd display of voyeuristic NUDE WRESTLING, where the first person to have an orgasm loses. (You can sign up for these competitions HERE.) To every challenge there is dubbed a winner, who in the old Westerosi tradition gets to crown a chosen "maiden" with the title THE QUEEN OR KING OF LOVE AND BEAUTY and an extravagant wreath of flowers, their victory dedicated to the lucky lord or lady. These wreaths are both fashionable and functional β while wearing them, no one can resist following whatever queenly command your character gives. Additionally, winners will receive prizes courtesy of Saltburnt, all to be determined upon victory.
Whichever queen has the most winners at the end of the tourney is crowned HIGH QUEEN OF THE FAE. The Queen is paraded around and celebrated by all, and while tribute is not necessary, it certainly is appreciated!
Over the past few days, a bit of construction has taken place on the grounds of the Saltburnt estate, and while it's difficult to piece together what exactly is being built, it's clear to see: whatever it is, it's massive, taking up a huge percentage of the grounds with multiple included structures. On the outside it seems almost like a neighborhood is being sprung up βΒ new houses for people to live in, maybe? New shops, disconnected from the manor at large? All is revealed on opening day, when upon entry all are greeted with cheery hellos from jauntily clad persons shouting, "Huzzah!" and "Hail and well met!" For the more medieval and fantasy inclined among you, it might feel like stepping somewhere familiar and homey. To the rest, you know β you've just walked into a Ren Faire. Costumes are expected.
Not sure what to wear? Those born between SEPTEMBER to FEBRUARY are dubbed part of the Unseelie Court, which is associated with darkness and decay, generally dressed in deep, dark colors. Those born between MARCH to AUGUST are part of the Seelie Court, which is associated with stars and sky, in lighter, brighter colors.
On either side of the split path, you're assaulted by the scents, sights, and sounds of any ordinary Ren Faire. Vendors pawn off garlicky mushrooms and full turkey legs, or flower crowns and juggling sticks in exchange for a kiss, a secret, a lock of hair, or something of equal nonsensical value. Step inside a shop and see sellers offering crude jewelry and satchels of loose leaf tea, fudge sold by the ounce and porcelain ocarinas. Essentially, if it's kitschy and thematic, you can find it here, being sold to you by people in costume who refuse to break character.
Shopping not quite your style? Fear not! If you're lucky in your wanderings, your might spot the Unseelie Queen ALICENT HIGHTOWER or her counterpart and opposed Seelie Queen LAURALAE carried on palanquins towards the very back of the faire, where the real heart of the show takes place in a small stadium for entertainment purposes βΒ a tourney for distinguishing yourself as the best among your peers in the manor. Prior to the tourney, all characters are given a favor of some kind ( an embroidered handkerchief, ribbon, garland, or piece of jewelry ) to give to a person of their choosing, be they a competitor or not, to show their support. Strangely, this favor seems to link them through an empathetic, sensation-based bond, so they feel everything their chosen competitor experiences. Mutual favors result in a mutual bond.
The challenges are set: ARCHERY/KNIFE THROWING, SWORDFIGHTING/HAND-TO-HAND, and a BARD'S TOURNEY. In addition to the more ye olde flavor of competition, there are also challenges for COUPLE TENNIS, HORSE POLO, and CHESS. And, in true Saltburnt fashion, there is also a somewhat lewd display of voyeuristic NUDE WRESTLING, where the first person to have an orgasm loses. (You can sign up for these competitions HERE.) To every challenge there is dubbed a winner, who in the old Westerosi tradition gets to crown a chosen "maiden" with the title THE QUEEN OR KING OF LOVE AND BEAUTY and an extravagant wreath of flowers, their victory dedicated to the lucky lord or lady. These wreaths are both fashionable and functional β while wearing them, no one can resist following whatever queenly command your character gives. Additionally, winners will receive prizes courtesy of Saltburnt, all to be determined upon victory.
Whichever queen has the most winners at the end of the tourney is crowned HIGH QUEEN OF THE FAE. The Queen is paraded around and celebrated by all, and while tribute is not necessary, it certainly is appreciated!
RING AROUND THE ROSEY
CONTENT WARNINGS: potential for nsfw.
The Ren Faire fixture runs adjacent to the tree line of the forest, which one can enter through a booth manned by THE GREAT WIZARD ARCHIBALD, who warns you to be prepared to enter the Realm of the Fae beyond his backdrop curtain, before handing you a flower and a pair of antlers (or a head piece from your fauna choice) for your journey to the beyond. Upon entering, you are greeted by a forest that bears no resemblance to the woods you've grown to expect in your time at the manor, everything more exaggeratedly lush than it had been even a day or so prior. Plump fruits with slightly glimmering skins grow fat on the vine, every leaf on every tree vibrant and healthy despite the changing of seasons, gone orange and red with the cold. Despite that, it's surprisingly balmy in the forest, everything illuminated by glimmering fairy lights and strung up lanterns. Flowers bloom under your feet, alongside perfect little red mushrooms, everything so idealistic it almost borders on discomfort.
Despite any reservations, there is a wild compulsion to everyone who enters the forest. The flower the wizard gave you is pungent enough to dizzy your head, leading you to the instinct of frolicking β or if you're not the type to frolick, then wandering βΒ through the woods, to find some counterpart to your particular flower in a very innocent (or not so innocent) game of cat and mouse. Once you find them, a simple kiss will serve as enough to claim your prize and ease the compulsion. Unless, of course, you want to give a little more. It couldn't hurt, right?
Wander further through the seemingly never ending woods, drawn on of the beauty of faerie, and find yourself at a somewhat rundown chapel surrounded by foliage, the roof and walls broken down with age, invaded by exploring plant life that crawls and vines through every crack and opening. While the stone altar of indeterminate denomination seems like it hasn't been seen for hundreds of years, let alone cleaned, there's the distinct impression you are walking on hallowed, sacred ground when you move to inspect it. Those clever among you might note different runes etched on what appears to be a wooden tabernacle on an ancient pillar at the back of the chapel. Looking into it, there's a word from an unknown language carved inside, complimented with a cheat sheet bit of yellowing paper which reads F. M. K., with further explanation: FRIENDS, MARRY, KINK.
What could it mean? Well. You and whoever you entered the chapel with, or whoever enters next, are stuck until further notice unless you complete one of the proffered options. FRIENDS, it's time you bury the hatchet, let bygones be bygones and accept our faults moving forward, together, to the future. MARRY, let's seal our bonded union with the trees as our witness, in a church of our own making. KINK, if the altar can't be used for the former, it can certainly be used for the latter. Nothing vanilla will do βΒ kink up or shut up.
Once completed, you're free to leave and roam around the forest at your leisure. If you wander far enough you might hear a distant, organic sound whirring and clicking from the trees, but don't worry. Whatever is watching you probably doesn't bite.
The Ren Faire fixture runs adjacent to the tree line of the forest, which one can enter through a booth manned by THE GREAT WIZARD ARCHIBALD, who warns you to be prepared to enter the Realm of the Fae beyond his backdrop curtain, before handing you a flower and a pair of antlers (or a head piece from your fauna choice) for your journey to the beyond. Upon entering, you are greeted by a forest that bears no resemblance to the woods you've grown to expect in your time at the manor, everything more exaggeratedly lush than it had been even a day or so prior. Plump fruits with slightly glimmering skins grow fat on the vine, every leaf on every tree vibrant and healthy despite the changing of seasons, gone orange and red with the cold. Despite that, it's surprisingly balmy in the forest, everything illuminated by glimmering fairy lights and strung up lanterns. Flowers bloom under your feet, alongside perfect little red mushrooms, everything so idealistic it almost borders on discomfort.
Despite any reservations, there is a wild compulsion to everyone who enters the forest. The flower the wizard gave you is pungent enough to dizzy your head, leading you to the instinct of frolicking β or if you're not the type to frolick, then wandering βΒ through the woods, to find some counterpart to your particular flower in a very innocent (or not so innocent) game of cat and mouse. Once you find them, a simple kiss will serve as enough to claim your prize and ease the compulsion. Unless, of course, you want to give a little more. It couldn't hurt, right?
Wander further through the seemingly never ending woods, drawn on of the beauty of faerie, and find yourself at a somewhat rundown chapel surrounded by foliage, the roof and walls broken down with age, invaded by exploring plant life that crawls and vines through every crack and opening. While the stone altar of indeterminate denomination seems like it hasn't been seen for hundreds of years, let alone cleaned, there's the distinct impression you are walking on hallowed, sacred ground when you move to inspect it. Those clever among you might note different runes etched on what appears to be a wooden tabernacle on an ancient pillar at the back of the chapel. Looking into it, there's a word from an unknown language carved inside, complimented with a cheat sheet bit of yellowing paper which reads F. M. K., with further explanation: FRIENDS, MARRY, KINK.
What could it mean? Well. You and whoever you entered the chapel with, or whoever enters next, are stuck until further notice unless you complete one of the proffered options. FRIENDS, it's time you bury the hatchet, let bygones be bygones and accept our faults moving forward, together, to the future. MARRY, let's seal our bonded union with the trees as our witness, in a church of our own making. KINK, if the altar can't be used for the former, it can certainly be used for the latter. Nothing vanilla will do βΒ kink up or shut up.
Once completed, you're free to leave and roam around the forest at your leisure. If you wander far enough you might hear a distant, organic sound whirring and clicking from the trees, but don't worry. Whatever is watching you probably doesn't bite.
DIRECTORY
cw: there do be gore ( + eventual plant body horror?? idk )
[Whispered as he closes his eyes. Tears escape past his lashes.
The pain is enormous, and Iggy feels his spirit lurch, craving freedom from the flesh. He could leave his body, he thinks, if he could just achieve a sense of tranquility. Crying, he tries to breathe in slow cycles, tries to calm his racing heart. It doesn't work.]
What are you doing to me?
no subject
Taking more.
[ It isn't Iggy's fault he didn't realize what he was actually offering. It never depended on a choice he could make β Zephir would still be twisting inside him, finding a crevice to leave his gift behind. It's just a small seed, assimilated into the walls of Iggy's stomach like a lost piece returned to its rightful place.
Careful fingers slide out of the warmth drenched in fresh blood, brought to Iggy's lips to be sucked on. A kiss to his forehead kickstarts the skin sealing itself back up. Nothing will be done about the mess that made it outside. ]
Smile, Iggy. You're changing.
no subject
He isn't sure what's been taken from him. He isn't sure what's been given. It's not his place to lay claim to his own body. As always, he is simply a vessel.
Cheeks wet with tears, he leans against Zephir.]
I didn't ask to.
no subject
[ Disruption will always happen, be it bred by necessity or a whim. Fingers slick with saliva release him, and Iggy can hear a heart beating too fast in Zephir's chest, warm skin glowing with youth. Over the next fifteen minutes, Iggy's pulse will be working its way up to match it. Zephir nudges him to look up, nodding once, sympathy in all the wrong places. He swipes more red blood from this fragile body, sucks it in his own lips. He can taste it already.
The rest of Iggy's dress is tugged down, left exposed to invisible eyes, their temporary captor watching for the real performance. First Zephir had to set up the scene β now he follows the script, hand flat on Iggy's stomach to collect blood, then between Iggy's legs to wrap around his length with slippery pumps. ]
no subject
But he's still crying. Silently, but endlessly - tears tracking down the sharp angles of his face.
His hips twitch and he lifts a hand to grip at Zephir's shoulder. His tears mean nothing to his arousal.]
cw: reminder that there's dubcon (at best) happening here
[ He doesn't, but Zephir says so anyway, slow and careful pumps working him to hardness. What's another lie to make Iggy hate himself, to make him move when all he can do is cry. ]
cw: reference to lack of autonomy
[Why not? he thinks. This is hardly the first time someone has told him to do something that he's not sure he wants to do. Hell, that's been most of his life. At least in this situation he'll probably get off.
So he runs his hands lightly over Zephir's shoulders and chest, down his tight belly and finally to palm his cock.]
How do you like to be touched?
no subject
[ It's⦠vague, unhelpful, but it also tells Iggy this is a creature with an ego, who despite having no time or patience for followers or prayers, wants the worship of those he can touch and manipulate. Zephir tilts his hips forward. ]
You know what it's like, don't you?
no subject
[Honestly, it probably describes all the men he's had in his life. Men who want someone fun to make them feel good.
So Iggy leans in, kissing Zephir's neck as he begins to stroke his cock slowly and firmly. His fingers trail in such a way that makes it seem like he's loving, like he wants to know every inch.
And he does want Zephir. In spite of everything so far, he wants him.]
no subject
[ Neck exposed, fingers stroking his hair sweetly, Zephir embraces and moves like Iggy gets to lead this dance. What a shame that he can't understand what's happening to his body, hearts beating in perfect unison, hands stroking slowly. Even the black fluid doesn't seem to be enough to convince him to give in to the delusion. A shame indeed. ]
Don't make this your burden, too.
no subject
[Whether Iggy's resistance is conscious or simply a byproduct of his essence being so steeped in death is unclear. The result is that he feels languidly horny, but he can't quite seem to shake off his confusion and fear.
Iggy sighs and drags his tongue over Zephir's neck.]
I'm trying to give you what you want.
no subject
[ He droops his head, cheek on Iggy's temple. Hurting with him, for him. ]
Are you so incapable of wanting me? Do I have to let you go?
no subject
[As he says it, he knows it to be true. The lust is undeniable, as is an unfamiliar sense of longing.
His hand continues to stroke.]
I do. I want you to feel good.
[He squeezes Zephir's cock.]
Please. I'm sorry I got scared. I feel better now. I can suck you off, if you want.
no subject
[ What a monstrous thing to say to an innocent man. To someone he hurt so deeply, someone who has yet to feel Zephit's agony in its purest form. Life itself places a hand on top of his head, takes the other as though to lead him in a dance, and helps him get on his knees. ]
There's no point in being scared. [ There's nothing Iggy can do with that fear. ] Just take care of me. I'll take care of you.
no subject
He nods, latching on to the idea of care - he can look after Zephir. He's good at looking after people. And if he does it well, maybe Zephir will make sure that he doesn't hurt.]
Yes. Okay. I will.
[He drags his tongue up Zephir's cock a few times, salivating freely, wetting it so that when he strokes the length it slides easier. Once he's quite sure Zephir is hard, he takes him into his mouth proper.
Iggy works whatever isn't in his mouth with his hand as he moves his head, back and forth, tonguing generously as he sucks.]
no subject
Minutes pass, and with a few rough jerks, Zephir generously empties himself down Iggy's throat. The young man is given a few moments to get back up, turned around to lean on the altar. Lips and tongue leave marks on his skin as Zephir strokes him, so naturally it's as though he's known this pale body his entire life. Iggy is jerked off until come desecrates the vague instructions to get out of this place.
Zephir brings him back up, chest against Iggy's nape, to hug him from behind. They'll stay in this embrace until he decides otherwise. ]
Thank you. For taking care of me.
no subject
It feels as though their hearts are beating at the same time.
Eventually he moves, turning clumsily in the circle of Zephir's arms. He hugs him with a shy, pathetic sort of affection, like an animal that's been kicked too many times.]
Thank you.
cw: gore, body horror w/ plant
We're so close, love. [ To freedom from this chapel, these woods, this nightmare. ] I just need you to endure one last time.
[ Zephir has Iggy in his embrace when fingers push through the middle of his body again. No cuts this time; flesh gives way like clay, four holes turning into five, then a large one when his fist reaches inside. There's enough distance between them after, as Zephir looks down at the seed in bloody hands, shining with gore and brand new misery. The seed's coat has split already, just enough for the radicle to start peeking through.
Zephir sees something beautiful, held between them so Iggy can see it too. He has so much love and pride. So much madness and negligence. The seed goes back in his body, their foreheads touching affectionately as an impossible wound is gradually sealed. He's caressing the young man's face. ]
Listen closely, Iggy. I need you to remember this.
You belong to someone who means nothing to you and everything to me. When you find each other, I want you to tell him what I've done. He'll know it's a gift, and you'll let him decide what he wants to do with it.
[ Old wood groans on the far end of the chapel. The doors have opened. ]
Will you smile for me?
no subject
He is a vessel. This is his function.
Breathing shallowly, Iggy's eyelids flutter as he nods. His tongue feels thick when he speaks.]
Yes. I'll remember.
[He lifts his face. His pale skin is streaked with blood and the skin below his eyes is bluish with shock and pain. He looks Zephir in the eye and smiles, softly radiant.]
no subject
Thank you. [ A kiss on Iggy's lips. He looks at the doors. ] Go now. They're waiting for you.
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Iggy already wants to see Zephir again. It's evident in his gaze when he casts one last look over his shoulder before he leaves.]