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𝖘𝖆𝖑𝖙𝖇𝖚𝖗𝖓𝖙 𝖒𝖔𝖉𝖘. ([personal profile] saltburntmods) wrote in [community profile] draino2025-11-01 09:00 am
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𝐈'𝐌 𝐒𝐓𝐈𝐋𝐋 𝐓𝐇𝐄 𝐒𝐀𝐌𝐄 𝐏𝐄𝐑𝐒𝐎𝐍 ▣ NOVEMBER TDM





NOVEMBER 2025 TDM: INDULGENCE


Welcome to SALTBURNT, a panfandom smut/thriller game based off the film Saltburn, where characters are encouraged to indulge their deepest desires. The money never runs out and the liquor never stops pouring, so you may as well indulge from the bounty. Of course, things are rarely what they seem, and the manor itself seems to have a consciousness of its own. Throw parties, trash the house, engage in youthful merriment, but remember — dangers come out at night, and no one, no matter how rich you are, is safe from demons lurking in the shadows.

Threads can be considered game canon, provided the players agree. Players can also start fresh upon acceptance into the game. In game characters can post to the TDM directly, using « NEW CHARACTER/IN GAME» in the header. There will be a spot below for new characters to link their toplevels for easy access. Alternatively, prompts on the Test Drive can be used for in game logs.







WELCOME TO SALTBURNT


CONTENT WARNINGS: n/a.

It's the hangover more than the light streaming in through half drawn curtains that wakes you up, your brain rattling in your skull, your mouth dry and cottony, your stomach churning with whatever it is you drank last night. If self preservation is your strong suit, you might turn over in bed and see a few painkillers laid out for you on a silver dish, accompanied by a glass of water. If it isn’t, stay in bed and wallow — eventually a maid will be in to tear your curtains open, saying, "Breakfast is served," and scurrying out quietly, invisibly. Breakfast? Maybe it’s normal for you. Maybe it isn’t.

You're drawn from the room, either by the mystery, or an undefinable urge that could be supernatural in origin, or could be your hunger catching up to you. It's almost nostalgic, the walk to the dining room — have you been here before? Were you drawn up to this estate in a car? Haven’t you done all this already? Maybe you mosey around a library, maybe you run into your suite mate in your adjoining bathroom. Regardless, seemingly all hallways, covered in priceless artworks and ancient relics from times long past, lead to the dining room, where a comically long table houses the Balfours and their many guests, who seem just as disgruntled and confused as you. No matter. "The breakfast is self-serve," they say. But not the eggs.

If you want to leave, you’ll have to tell Giles, the housekeeper, who will arrange a car for you that mysteriously, or perhaps suspiciously, never arrives. Unfortunately, confronting Giles about it is near impossible, as he’s as good at being invisible as the rest of the house staff. Of course, there’s no reason why you can’t just walk out. The front gates are easy enough to jump over, even if the walk towards them gives you a strange sense of foreboding, or just outright discomfort, as if the ground itself doesn’t want you to leave. Those more sensitive or fragile might find they can’t make the jump, no matter how physically able, or desperately wanting. Still, a strong person could continue on, over the fence and into the lush English countryside. The feeling doesn’t dissipate, though — this sense of wrongness, almost sickness, like a weight on your back. Walk into the evergreen, carry on, but the strongest will make it perhaps a mile or so before the weight of dread and paranoia brings you to your knees, and then to your face, flat in the middle of a dirt road. What were you thinking? Is this really better?

Wake up with a hangover, in a bed, the curtains drawn, the maid saying, "Breakfast is served," before scurrying out. The painkillers are there, just like you remember. In fact, it’s all exactly how you remember, as if you never left an imprint the first time, or any mess you made was cleared away while your back was turned. Walk to the dining room, find everyone there eating away at their breakfast. It’s self serve, naturally. Just not the eggs.

"We dress for dinner," says Portia, with a kind, if discerning smile. "Black tie."



TREAT YOURSELF

CONTENT WARNINGS: pressing of hard limits (examples including suffocation & drowning)

On the questionable hideous backside of the manor is a strangely modern addition — new to Saltburnt is MALICE, an all-inclusive spa experience available to meet the needs of any guest who requires an additional pick-me-up. Upon opening a set of heavy doors marked only with an M., cool air bundled with the delicate fragrance of white tea and artemisia immediately envelops your skin. Gleaming marble floors glitter across the lobby, staff dressed in identical red stepping forward to serve you your choice of fruit-infused sparkling water, each glass tinted with the barest hint of color — finger lime green to boost your energy levels, dragon fruit pink to warm your cheeks (and other areas), golden starfruit for a shimmering veil of calm to settle upon your troubled mind. The lobby itself is open for mingling, live piano music providing a backdrop as you decide on your services, with gentle massages available for your shoulders and feet as you wait, and staff members on standby to offer complimentary manicures for those ragged cuticles. It seems they’re willing to do anything to provide both comfort and preserve good taste — they’ll silently come forward to shine your shoes, lint roll your clothes, or offer a selection of creams for any hands they deem too dry.

A glistening spiral staircase leads to the upper floor, where full services are rendered in various rooms — and there are so many to choose from. In fact, Malice seems like a timely addition for the guests who’ve been away from the luxuries of the manor and might be feeling a little rough around the edges, both in body and mind. You can undress into your choice of robe, slip, or breezy linen set, both fluffy and silken options available in several pastel colors, with matching slippers. A steamy bath house beckons anyone looking for a warm, relaxing soak, creamy soaps and sweet oils lined up neatly for your use. If that’s not hot enough, the sauna is right next door, where you can feel free to sweat out your inner demons by any means necessary. Still not right for you? The hot tubs and jacuzzis provide a stunningly high view of the gardens, an especially beautiful sight when glimmering at night, the perfect scene to enjoy a heated soak — or the expertly percussive jets beneath the water. Order a drink from the staff, sit back, and relax, with or without a partner (or two, or three).

Once you’re done with a soak or a sweat, head to the expansive massage area, broken up into various rooms and spaces to meet individual needs. A deep tissue massage from the highly trained staff will have your muscles purring, but for those in search of something more, there are options aplenty. A hot stone massage to release that muscular tension you’ve been carrying, or maybe you’d prefer ice? Or wax? Choose from a curated selection of scents for your aromatherapy experience, each fragrance stimulating an urgent desire to be touched in a new place. The massage oils only enhance the experience further, the warm glide of it awakening and emboldening you to pursue a pleasure you’ve been dreaming about for too long. A discreet package called A Sacred Time for Two allows you and a guest of your choice to experience a massage together, either from the staff, or left to your own devices in a private room. Speaking of private rooms, there’s an even more illicit package available to those in the know — The Sacred Eye, which will allow you to watch any massage of your choice through an enclosed, one way mirror. The show gets good once inhibitions are lowered to indulge in private desires, so you’ll certainly want to consider it.

For those who really went through it under the Shepherd’s questionable care, there are a variety of skin enhancements on the menu. Come in for a cooling facial or full-body exfoliation that will leave you polished, gleaming, and unnaturally desirable to those who might have never looked at you before. For those seeking a bit more sensory deprivation, a warming marine body wrap and eye mask will leave you cleansed and refreshed, inside and out. And don’t be shy — the staff has seen it all, including the jagged scars you’ve been carrying from your recent ordeal or any earlier traumas. The first scar treatment can be done in house, and you’ll be sent along your way with a glass jar of the creamy, tingling ointment to be applied daily over the next several weeks — with the understanding that your results will be poor if you apply it yourself. Make sure you find a trusted set of hands to smooth over your scars each night for the most effective results.

The staff is happy to provide all these services and more, making you as comfortable as possible and catering to all special wellness requests. Enjoy the offerings — you’ve earned the luxury of solace and leisurely relief, after surviving this long. And for those of you who wander deeper into Malice, there are a few more experiences to be had, though these are not for the faint of heart.

Welcome to the Iron Rooms of Malice, where wellness takes on a much fiercer meaning. The services in the Iron Rooms are for those looking for a deeper, more profound relief than an orgasmic massage or an intense sauna session can provide. No room is the same as the next, because each room is tailored to the guest that checks in — and the moment you cross the threshold, a signed release automatically populates at the lobby’s reception desk, absolving Malice of any harm, mental, physical, or emotional, that you might sustain. Distantly, you think you hear faraway screams, moans, scratching and banging. Still, your need propels you forward, a deep, wrenching ache to shed your identity, to tap into something darker, something that washes you clean in a way that the previous spa rooms couldn’t. But cleansing requires a price, and the Iron Rooms will demand payment.

Entering is a shock to the system, the room personalized for you and only you — that is to say, the room takes the form of one of your hard limits or deepest fears, wrested to the surface and made manifest before you. If you dread restraints, gags, or deprivation, you’ll find any variety of these waiting for you, your limbs powerless as you’re bound or roped, your sight hidden behind a blindfold. If drowning plagues your nightmares, you’ll feel the sensation of rising waters, the room shaking as the walls grow closer, shimmering with the rush of the sea waiting to swallow you. If you fear death, the room becomes your own coffin, sealed with iron, the air running out despite your efforts to tear your way free. Whether you’re surrounded by gunfire and smoke, chained to a hospital bed, screaming in a cage, enduring the brush of lips from a person long dead, or suffering blows that leave you bruised, your fears and limits are yours to face. Yours to take on. And yours to master, in whatever way you can survive.

The cleansing comes when you divest yourself of your fears, even for just a moment, to reach the relief you’re searching for within the walls of Malice. Ask for the aid of a loved one or even a stranger to listen to your undisclosed confessions, or to help you push even further to find the agony of pleasure in your fear, tapping into your darkest desires and stretching yourself to your deepest, most intimate limits. The screaming and scratching you heard earlier? Maybe some people are still trapped in their fears. And yet, also to be heard are the sounds of ecstasy, of moans and sobs of euphoria, of overwhelming pleasure and relief. The room will shift to your needs, if your intentions are true. But the longer you cower, the worse your fear will grow — and the Iron Rooms will hold you captive until you face the truth.






REDRUM


CONTENT WARNINGS: n/a

As you take your time to recover, the Balfours move full steam ahead to catch up with the social season — it’s so tacky to miss certain holidays on account of some crazed man’s murder games, after all. The announcement of the very prestigious COUPLES COSTUME CONTEST comes with the expectation of mass participation, or else endure Portia’s cold stares for the rest of the month. It doesn’t matter if you’re actually a couple, since the overall sordid state of romance is both expected and understood. It does matter if you’re fashionable. Dynamic. A visionary with the ingenuity to think Canadian tuxedos are the height of fashion. Luckily, the Halloween gods have smiled down upon you, or Bunny just threw a fit until Portia and Jonty relented to his demented ideas, but you reap the benefits — there’s a never before seen Spirit Halloween popup towering in the lawn. Shop to your heart’s content as you put together a costume fit to win. It’s all on the Balfours’ tab, after all. (Submit to the couples costume contest here, where a winner will be randomly selected!)

In the evening, a portion of the manor is transformed into Saltburnt’s very own haunted house, despite the complaints of certain guests that “we’ve already lived through enough horror.” It seems that’s your own fault, and has nothing to do with Portia’s party agenda, which leans into the Victorian romantic gothic aesthetic (someone told her was very trendy at the moment). Dress to impress as you traverse the maze-like rooms of the manor, drenched in crushed velvet and cobwebs, flickering candles leaving each space in perpetual gloam. With no expense spared, there are attractions in every room.

Adorning the walls are paintings of Balfour ancestors whose eyes seem to not only watch you, but undress you, warming your body with a phantom touch beneath your clothes. As if it wasn’t uncomfortable enough to have the feeling of a stranger groping you, you don’t know what’s hiding around each corner — a shambling mummy, a guy wearing flannel and wielding a chainsaw, a bespectacled doctor holding vials of poison that will leave you paralyzed. Of course, these are paid actors that the Balfours have hired for the festivities — aren’t they? They’re not actually trying to kill you. Right? Jonty was the one who was supposed to make sure the background checks actually checked out. In any case, you really don’t want to find out what happens when one of them catches you, so hopefully you wore shoes you can run in. Fast.

And there are so many places to run. Some of you stumble upon a heavy door, dragging it open to escape the freak chasing you, only to be thrust into an unruly crowd of even freakier-looking people. In the center? A makeshift ring, with two banged-up people inside. Congratulations, you’ve found The Pound, a fight club where you can pummel the monsters of the haunted house. Go ahead and get in the ring and take out some of those frustrations on the nearest reanimated corpse or Frankensteinian monster. For those who keep running, you might burst into a hot house of psychedelic plants and mutated butterflies. Ingesting or even touching some of these flowers, leaves, or thorns can leave you dizzy, flushed, touch-starved, and with an extreme desire to confess a secret — or else you’ll overheat and lose consciousness. What happens in the hot house stays in the hot house.

If you’re looking for a more refined and less bloody experience, visit the tea room for a crimson cup and a plate of sugar-dusted ladyfingers. As you settle into your chair, steel touches your ankles and wrists as manacles slither over you and clamp shut, trapping you to your seat and sapping you of your strength, your eyelids drooping. When you look up again, you recognize the person sitting right across from you, trapped in the same position — a friend, a lover, an enemy, or anything in between. Two staff members dressed as clowns stand beside you, teacups in hand, ready to serve you your sips since you’re presently rendered immobile. You want to leave? You are the room’s entertainment, and the scene you set will be judged in terms of performance value. Air some dirty laundry, have that argument you’ve been meaning to bring up, confront your killer or the person you love with the truth of how you feel — just make sure it’s honest and juicy.

The haunted house, thankfully, doesn’t seem to extend to the garden, where you can make an escape for popcorn, gummy worms, and your choice of fresh cranberry-apple punch with rum or straight blood orange whiskey. Grab a blanket and stretch out on the lawn with a cuddle buddy or three for an evening of scary movies projected onto a giant inflatable screen, or take a nighttime stroll through the maze, which, oddly enough, is growing corn now. For those of you who really don’t know how to sit still, you can go bobbing for apples, explore the art station for face or body painting (does it tingle a little?), or carve a pumpkin to display along the garden’s edge. Portia will not entertain any protests that it’s “too soon” for pumpkins — it’s tradition, after all. If you're in the mood for a cozier kind of quiet, hay rides loop along the grounds from sunset to moonlit midnights, each wagon lined with a soft quilt for couples to huddle under. The driver promises absolute discretion for mouths that steal kisses and hands that wander beneath blankets, riding slowly along the lantern-lit paths to give you all the alone time you need with your sweetheart.

Sparkling with fairy lights and decorated with lace is the extremely popular pumpkin spice latte booth, where you can order something ready-made or take a stool to concoct your own personalized latte. Behind the booth, there’s a more illicit version of bobbing for apples going on, where some of the drunker guests are bobbing for the shiny fruit squeezed between a pair of breasts. Feeling a little more rambunctious as the night carries on? Some guests have gotten ahold of cartons of eggs and have decided to pelt the southernmost wall of the manor, well out of Portia’s eyesight in a form of protest. That, or just to honor the trick part in Trick-or-Treat.



SHE THINKS SHE'S MADE OF CANDY

CONTENT WARNINGS: nsfw prompts (including lactation & a/b/o themes).

No season is complete without a grand finale, this time in the form of a rave as the Otherworld welcomes you home. You’ve had a difficult time of it lately, and after all that suffering the heedless debauchery of the Otherworld feels like a welcome reprieve even for the most anal of guests. The theme? A MOONLIT GRAVEYARD. The expanse of the ceiling glitters with stars, the tables switched out for coffins, tombstones for chairs, the bar a slab fit for a body awaiting its time at the morgue. You have death trauma, you say? There’s no better way to get over that than to push yourself right into it, falling into the indulgences that the Otherworld has to offer. The dress code? Dead sexy. As soon as you come in, you’re greeted with crystal bowls of bright candy, a holiday indulgence that feels irresistible, even to those lacking a sweet tooth. Pick your poison (or three)!

CANDIES OF THE MONTH

For an interactive game, feel free to click on whichever of the below candies appeals to your character, and reveal a (horny) side effect. Alternatively, click them all and find whichever side effect most appeals to you! Be warned — you are never going to get these stains out.












Whether you’ve stuck to your favorite or doubled or tripled up, you’ll feel the effects of these special treats within minutes, all of them with the bonus impact of lowering inhibitions. Not a dancer? You’re suddenly feeling a lot more compelled to grind it up on the dance floor with anyone who asks, or even with those who don’t. The starry rave lights reveal an increasingly more colorful room as the night goes on — mouths smeared with glitter, clothes wet with glowing stains (very difficult to remove). It’s time to let go. To release — literally. It’s called catharsis, and you can thank the Otherworld later. To assist with your sudden load problem, you’ll find a bucket full of vibrators labeled ONE PER PERSON, PLEASE, and another stuffed to the brim with condoms — specifically, candy corn flavored. Please use responsibly. A person can only be filled so many times, you see.

In addition to the unholy amount of bodily fluids on the dance floor, you’ll notice several doors available to you, very much likened to the doors of a mausoleum. It’s anything but dead behind them though — they each lead to a themed playroom for you to roleplay your fantasies. Enter a doctor’s office staffed with scantily clad nurses for a thorough examination, become one of Dracula’s many panting brides in the highest tower of his castle, or stroll through a pet adoption agency where you’re the one collared and leashed in a cage, eager to perform so that someone might see your value and take you back to theirs tonight. Join the roundtable of horny wizards as they cast sexy spells to get you off, or take the stage in a see-through leotard as you perform a solo show for the audience. One room to the side bursts with racks and racks of costumes and floor to ceiling tri-fold mirrors for you to don any identity you please. There are rooms to tickle every part of the imagination, if you’re brave enough to enter.

If there's one thing Saltburnt is good at, it's throwing a party you'll never forget, and taking good, good care of you afterwards. When you're exhausted and coated in bodily fluids, disinterested or incapable of moving back to your room, take advantage of the temporary TROLLEY SYSTEM of Otherworld — that is, cheesily decorated golf carts with cobwebs and streamers, designed to drive you to and from your room. For a limited time only, so take advantage while you can!


DIRECTORY


morrer: (Default)

( sullivan aka "death" | original - existing character )

[personal profile] morrer 2025-11-02 06:48 am (UTC)(link)
[Open & Closed starters below.]

[Sully is death incarnate and comes with a variety of triggering concepts such as the topic of death, decay, murder and other themes yet to be warned for. Please let us know whether your character aligns with life or death as that is something Sully'd note upon meeting them! Reach me at [plurk.com profile] witchpunk if you have any other questions!]
morrer: (086)

( open | event )

[personal profile] morrer 2025-11-02 06:56 am (UTC)(link)
﹥ ᴛʀᴇᴀᴛ ʏᴏᴜʀsᴇʟғ
[cw: tbd, various kinks welcome]
[This is your fantasy and fear in the Iron Rooms. Whatever comes from the recesses of your minds as a true fear spreads out around you, entrapping you. Fearful of the water? It rises slowly but steadily at your feet. Avoidant of constraints? Oh, look how you've been done up in silk or leather straps. Whatever it is you fear, it's here in the room with you and it's unavoidable. Maybe you do well on your own to try and combat it, but it's not enough.

Sullivan joins you in the room at some point, a shadow figure turned human the closer he comes to the light. Whatever you fear doesn't seem to bother him at all - he's calm and collected, save for the look in his eye when he's looking at you. Something flashes there like a hungry animal, gone just as quick as it came. He's here to help you, so don't feel alarmed. What could possibly be so bad about that?]


So tell me. How do you feel right now?
buio: (37)

[personal profile] buio 2025-11-03 11:04 am (UTC)(link)
(The moment he starts to talk Ptolemais shoots upright.

She's been crouched in the room for a long time now, trying to stay as quiet as possible, and now she slaps her hand frantically over Sullian's mouth. Footsteps continue press into the ground nearby, threateningly loud — somebody is there. There is a sense of something huge coming to a halt and changing its direction.

A wash of fear rolls up and breaks over Ptolemais in a cold sweat. For a moment she can't think at all, only submit to the urge to become small and unseen. She's looking around frantically for something to dart beneath or hide behind, but the room is bare. The carpet underneath of her feet is, in disarming juxtaposition, soft.

She whispers, barely mouthing the words.)
He's in here with us.
morrer: (075)

[personal profile] morrer 2025-11-03 04:14 pm (UTC)(link)
[Sullivan crouches next to her, silent behind the press of her hand and skin unnaturally cool beneath her fingers. He watches the terror on her face, drinking up the anticipation of the moment without even lifting a brow. His eyes are a pale blue, piercing as he stares into her own eyes, peering deep past them and as far into her being as he can.

He lifts a hand to gently bring down her hand from his mouth, thumb rolling over her knuckles. Soothing, perhaps, but there's something weak about the affection in it. Something off about the way Sullivan's watching her as he does it.]


Who?
buio: (pic#18129517)

[personal profile] buio 2025-11-04 03:36 am (UTC)(link)
(His gaze pins her in place, the blue pale like ice is and she holds her breath until the floorboards creak and shift, signalling the passing by of the beast, for now. It doesn't seem to be looking for them, only doing rounds, but Ptolemais can't get her pulse to slow. She's speechless, breath caught in her throat until he rubs her knuckles, coaxing the answer to the forefront.)

I dunno.

(She's never known. She saw pictures of him after the fact and she's looked him up once or twice — to scare herself? She doesn't know why she does it. The most recent Google search revealed he'd been released early on parole due to good behaviour.)

We have to get out of here.
morrer: (027)

[personal profile] morrer 2025-11-08 07:26 am (UTC)(link)
We do.

[Affirmation to her fantasy here - Sullivan can only drink so much up on the spot, but he can sense the feeling of apprehension. He feeds on the sense of alert, the paranoia of what unseen being is there, it radiates off her. He doesn't even have to do a thing, though his presence alone might enhance the sense of unease, the cloud of dread. It might make the terrors in the peripherals of her mind feel even more vivid.

He feels like he can draw more from this.]


You have to lead.
buio: (29)

[personal profile] buio 2025-11-15 01:45 am (UTC)(link)
N-no. (It stutters out of her soft and aching, and she looks at him, scared, says it again.) No. I can't.

(Even though she's sure of what's out there a small part of her imagines something else, something crueler. Anything could happen. There aren't rules in this house, it just does whatever it wants to you, chews you up, swallows you down, spits your bones out afterward.

She's rooted to the spot, fingers pale in his.)

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1966: (107.)

treat yourself.

[personal profile] 1966 2025-11-12 01:51 am (UTC)(link)
[ the room itself is vast - or so it seems, anyway, endless in all directions and empty by appearance save for the man standing in what can be presumed to be the center. adam is motionless, his big eyes red-rimmed and unblinking, his breathing slow with a very faint rasp threaded through every drawn-out inhale. around him, the floor is darkened with what looks like black soot or dust, his trousers filthy up to his knees and his arms up to his elbows where it fades out to pale skin.

there are beams of light everywhere. hundreds of them, thousands, stretching on and on from the ground to the sky like beacons. in between, shadows descend like a thick, heavy mist, but none of them ever reach the ground, every single one chased out by another column of bright white. metaphorical, but adam recognizes the significance. adam recognizes this fear even in abstract.

sullivan does not startle him. perhaps it's the months they've spent in the manor together while most everyone else was trapped in the commune. maybe it's just that adam doesn't startle easily, but he looks up as this shadow, different from the rest, shifts into a figure he's more familiar with.

for a moment, he does not answer, staring instead as he draws in another slow breath through slightly parted lips. like it's difficult. when he does speak, it's only a single word, his voice quiet but a little rustier than usual. he looks at sullivan from beneath the ridge of his brow. ]


Betrayed.
Edited 2025-11-12 01:52 (UTC)
morrer: (146)

[personal profile] morrer 2025-11-15 12:46 am (UTC)(link)
How so?

[Sullivan's approach is slow and gradual, to the point where he stands near to Adam - off to one side, just far enough for his voice to carry quietly to him without being lost. He always has a fascination for things like this - the fears in beings, notably, abstract or not. He observes it like he's standing in an art gallery, hands in the pockets of his pants and head cocked gently to one side.]

Tell me what I'm looking at.
1966: (132.)

[personal profile] 1966 2025-11-15 01:05 am (UTC)(link)
[ glass-blue eyes shift, turning to look at the light show around them, the rest of adam unmoving save for the sluggish rise and fall of his chest. his jaw has always been sharp, but here, it's tight with tension. ]

Humanity. [ he doesn't growl it necessarily, but it sounds like it's rough on his throat, heavy on his tongue. he's angry but he contains it well, fearful but unwilling to admit it, at least not yet. ] Thriving, more than they were ever meant to.

[ adam lifts one of his hands from by his side, gestures out toward the many pillars of light, the shadows trying to manifest in between with no success. the soot creeps upward, dusting his trousers to his thighs, darkening his pale skin above his elbows, hidden beneath the rolled cuffs of his sleeves. ]

Killing us.
morrer: (077)

[personal profile] morrer 2025-11-24 05:57 am (UTC)(link)
Out of everything we've created, humanity has found ways to thrive in even the barest of spaces. Like weeds growing in the cracks of a sidewalk.

[It is something to observe with a sense of awe at times, and other times it can almost feel irksome - watching humanity do the bare minimum to get by, watching the duality of men. Those that love and care and save, those that hate and hurt and kill. But he doesn't (often) step in, and the sight now with context is another proof as to why. Death is what he's here for, in the end. Sullivan has to let whatever causes it happen if he truly wants to drink it in.]

You wished for their failure?
1966: (78.)

[personal profile] 1966 2025-12-02 01:26 am (UTC)(link)
[ in many ways, they're similar. in many ways, they're different. where sullivan doesn't often step in, adam interferes all the time, visions leading him to pivotal moments in which he gets to decide whether or not to alter the course of the future or let things be. more often than not, he chooses the former, because what would his visions be for if not to lead him to exactly where his hand is needed in order to secure his future? but like sully, death is ultimately what adam is after.

or is it that he's after life? it's hard to determine, depends on the angle, the outcome. adam draws in a slow, labored breath, his lungs tight and heavy at the same time. he swallows hard, exhales just as slowly, just as labored, like static. ]


I made them so that they would. [ fail. thrive, and then, as the saying goes, fly too close to the sun. he made them so that they would inevitably destroy themselves and earth in their pursuit for more, more, more, with no regard for consequences so long as it resulted in power and wealth. ] They must.

[ because if they don't, then adam will have failed - himself, and his kind. ]

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morrer: (X013)

( open | general / event adjacent )

[personal profile] morrer 2025-11-02 07:16 am (UTC)(link)
﹥ ᴍᴏʀɴɪɴɢ ᴀғᴛᴇʀ
[cw: none]
[The party in Otherworld goes on and on and on, with people barely able to get back to their rooms on their own - some even take the house up on a ride home. But for whatever reason, you don't exactly remember the tail end of last night or how you ended up in a room not your own. The walls are a forest green, and it's devoid of a lot of character save for the old touches of the manor's personality in place of Sullivan's own.

The only hint of that is on display on the dresser; glass cases containing something hard to see, but upon closer inspection would be bones covered in a plethora of little to mid-sized fungi growth. The morning light doesn't come through the curtains yet - either it's too early for it, or they're still tied tight to spare you the added pain to your hangover.

The bed is all your own (perhaps with a black cat curled at the foot,) but you're not alone. Either sitting silently in the dark by the bed or peering in through the open ensuite, a figure's eyes are on you even in the dark. You can tell because they have the most peculiar animal-like glint.

Turn on a lamp or move enough to see clearly and oh, it's just Sully. N-B-D.]


Good morning.
queimar: snk (162)

[personal profile] queimar 2025-11-02 07:12 pm (UTC)(link)
[ When he lifts his back off the bed, feather-like shards scattered behind him, Da-Lua spreads his wings along with the stretching of his other muscles, a pleasantly sleepy groan accompanying the shift of his limbs, the knuckles rubbing under his eye. This is a lazy creature, half-human half-beast, thinking it's just staring at another like him, likely of a different breed. Dragon-belua are uncommon in his world, let alone this one.

The lights stay off. Folding up his legs, folding and tucking his wings behind him, Da-Lua's smile could trick anyone into thinking he knows exactly what's going on. The truth is that he doesn't really care. He curls his finger, tempting Delphine to come closer. ]


Good morning. Did you bring me something good?

[ Drugs, booze, a pretty little body to fuck. ]
morrer: (X010)

[personal profile] morrer 2025-11-03 05:30 am (UTC)(link)
That depends.

[Sully's voice carries like the wind, starting from the shadows and finishing the last syllable somewhere around the back of Da-Lua's head. All the while she moves forward, coming out of the darkness nude save for the tattoos that cover her throat to toes and the black silk robe that hangs open down the front. (What purpose it serves is impossible to tell, because as she moves it covers nothing for very long.) She stands by the foot of the bed, highlights of her body illuminated by the moon peeking through the curtains.]

I brought you here to rest, so you're already in a debt you should settle before asking for something more.
queimar: s (081)

[personal profile] queimar 2025-11-03 05:48 pm (UTC)(link)
[ Definitely not human, though what she is, he can't tell. Something that pierces through and becomes a part of you if you let it, who's covered herself in tattoos to — he assumes — set herself apart. Donos will usually prefer that their beluae have none of that on their bodies, so his second assumption is that Sully's is either very permissive, or … nonexistent. ]

Can I at least ask you to come closer?

[ He just wants to talk. And touch. ]
morrer: (Default)

[personal profile] morrer 2025-11-05 10:33 pm (UTC)(link)
You can.

[Ask, that is - will she obey? Playing into the archetype of a cat, she doesn't move immediately. She watches Da-Lua, eventually coming to the bedside with one hand mussing her hair and the other on her hip. Something about him bothers her, though she doesn't know why.]

I'm Sullivan.

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hislittleflower: (086 (Neutral) Asleep)

[personal profile] hislittleflower 2025-11-02 10:31 pm (UTC)(link)
[ There is more than one black cat curled up on Sullivan's bed. Peony had at least managed to kick off her boots before crawling onto the bed and falling asleep above the covers. When she awakes, it's with a long, slow stretch, the ears on the top of her head awry on her crown and tail still affixed to the back of her shorts. Around her neck - mostly to hide the ugly scar - is a collar with Delphine's name on it. ]

Sullivan? [ In girl mode no less! The fairy sits up smiling. ] Good morning. Why are you-- [ Wait. This is not the white and gold paradise of her own private room. Peony pauses and looks around. ] Oh. Did I take your bed?
morrer: (Default)

[personal profile] morrer 2025-11-03 05:34 am (UTC)(link)
So it would seem.

[Sullivan's approach in the dark is silent, an attribute that'd make her cat-like too, as she comes to stand at the foot of the bed. She's in thin white undershirt and black panties, tattoos covering her legs so completely that a quick glance might mistake her for wearing pants. She seems fond of Peony, eyes without a certain pinch, and comes to the side of the bed next to try and gently relieve her of her ears - and comb her fingers through her hair, if she'll allow it.]

I don't mind strays. Will you stay for a while yet?
hislittleflower: (adipucey27)

[personal profile] hislittleflower 2025-11-04 09:43 pm (UTC)(link)
If you want me to. [ In the end, Peony will prioritise being where she is wanted to where she isn't every single time. And it doesn't hurt that she needed more time to recover from the exertions from the previous evening.

She sighs in relief as Sullivan pulls off her ears and leans into the fingers in her hair, tilting her head up into the sensation with a soft groan of enjoyment. ]
That feels delightful. I might actually purr if you keep it up.
morrer: (Default)

[personal profile] morrer 2025-11-08 07:26 am (UTC)(link)
Careful, I might like that.

[You know Sully has a penchant for cats, Peony. You may become best pet #2. She caresses and plays with her hair a bit more, before her fingers shift to touch the collar at Peony's throat - mostly to see the scar beneath.]

Do you dislike that?

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morrer: (00 32)

( closed | adam ) cw: missing limbs, bone stealing, injuries, etc

[personal profile] morrer 2025-11-20 03:35 am (UTC)(link)
[Sullivan made a trade that she still weighs as worthy, even if it resulted in painting a room black with blood and leaving a trail of it behind her as she left with her prize. The fingers of her right hand were wrapped tight around a human bone, still stained red from being inside Saber. She let it swing with that arm as she walked, gait offput by the clear cut loss of her other arm, just below the shoulder.

It wasn't pouring blood the way a human's wound would; the edges of her arm are withered somewhat, but still leak a viscous black goo in droplets that stain the carpet in her wake. She could've reattached the arm but to regrow it is going to be interesting... but she's not up for visiting Zephir yet. She wants him to catch a scent of this on the wind, to investigate organically.

So instead she heads through the halls and ends up somewhere else. Someone else's room, shouldered into with a grunt. She's got a cigarette hanging from her lips, stained both red and black.]


Give me a light.

[Because she can't do enough with just one hand.]
1966: (124.)

[personal profile] 1966 2025-11-21 11:07 pm (UTC)(link)
[ the list of people who would intentionally invite themselves into adam's room without notice is very short, and those who would wander here either by accident or out of pure curiosity would probably hesitate in the doorway rather than stumble their way in. his bedroom is dark like it almost always is, lit only by a few candles melted down into short stubs of wax, still warm and soft where it's dripped onto the furniture. the air is... heavier, akin to a thin smoke without the accompanying scent of something, replaced instead with the faintest scent of too-sweet citrus.

in one of the corners, adam sits in a plush, antique looking chair, his long legs propped up on a matching ottoman. he's lounging it seems, the curtains drawn to provide a partial view of the grounds at nighttime, though his attention seems to be on his phone, the screen casting a pale, blueish light onto his already-pale features. scrolling out of boredom rather than out of genuine interest. he looks up casually at the sound of someone intruding, though he doesn't look at all surprised to see sully shouldering her way in with a bone in one hand and - well, missing the other. more than that.

as if there's no reason for alarm, adam doesn't rush to stand. he sets his phone aside on the arm of the chair he's in, takes his feet down one by one, stands like sullivan isn't dripping black ooze on his carpet. he takes a moment to brush a hand down the front of his own shirt to chase away any wrinkles, and then finally moves to do as he's asked, stepping around the ottoman and moving toward his dresser. on top is a collection of spent matches and the book they were ripped from; adam plucks out one more and strikes it along the strip of strikepaper on the back in one quick and elegant gesture. ]


May I see? [ he takes a step toward her and holds out the match, touching it to the end of her cigarette for her before shaking the match out. adam's next inhale is slightly more deliberate, subtly breathing in the thin wisp of smoke from the snuffed match. his eyes shift, casting a brief glance at the bone in her hand. he's not worried about her missing arm. ]
morrer: (X016)

[personal profile] morrer 2025-12-07 06:58 am (UTC)(link)
You may.

[She says with her lips around the filter of the cigarette, adding more murmur to her words than not. He lights it for her and there's a sigh of relief, inhaling deep and burning the lit end bright; when he relieves her of her grip of the bone - the humerus - she uses it to take her cigarette from her lips and exhale. Relief is in her expression, like she's been craving this. She too doesn't seem worried about her arm.]

I made a trade for it, as you may be able to tell.
1966: (15.)

[personal profile] 1966 2025-12-20 08:01 pm (UTC)(link)
[ the bone is wet. damp, rather, but adam appears to have no concerns about this, taking the humerus from her like he's being offered a trinket and not a body part harvested from a stranger. he recognizes it for what it is pretty immediately, knows the shape and the weight of it in his hands like he's held one just like it several times before. circles his fist around it and drags up to the end where the joint would connect, unintentionally lewd.

adam looks up again, at sully, and offers the bone back to her silently, no pressure to collect if she'd rather enjoy her cigarette first. he should probably at least offer her a towel for her wound. he'll get there eventually. ]


I believe the saying is an eye for an eye. [ not an arm for an arm. teasing, quiet. ] Whose is it?